Zu Omen or Tekton Lore


Best floorstanders under $999 for low power SET amp?

Thanks
mstark
Back from the un-snow mtn's of Tahoe. Seems to me the Lores will suffice but hate regretting. So morganc here i come ready or not! - i just emailed you and waiting for the reply
Pendragon-Even the name suggests too much POWER !
Anyone bought Lore's and wished they bought M-Lore's, or vice versa?

Sounds like my 13x17' room is on the cusp and could go either way. Eric actually recommends the M-Lore's as a more appropriate form factor (so as not to visually overwhelm the room).

I, however, am loath to give up the extra bass extension, and if I don't like them in this room I think the larger Lore's would be the better fit in my larger upstairs listening room (however I'm already satisfied w/ Vandersteen 2ce's there).

So I bounce back in forth in my mind. Wondering if others in the same boat feel they've chosen rightly or wrongly.
The Lores are so well balanced I really can't see someone going very wrong.And size wize they don't over whelm.
I disagree on this with Eric spend the extra bucks and get the real deal! You won't be sorry you did. I would never give up the rich bass extension of the Lores for a very slightly smaller speaker.
Wow, this thread has gone really quiet lately! Thought I'd try to bring it back to life a bit with some final thoughts about the Lore vs. Lore-S comparison.

I now have my original Lores back in the house after a couple weeks of giving the Lore-S a try. I really don't have much more to say on the dynamics vs. fullness issue. The Lore is definitely more dynamic than the Lore-S, and it fills a room better. I also think the Lore has a more tactile sound to it, probably part of the greater dynamics, both micro and macro.

The Lore-S has a warmer tone, and fuller sounding instruments on the whole. It seems to give greater dimension to the instruments, while also separating them better than the Lore does, and with greater sound field depth. The high frequencies were certainly there, and with greater nuance and detail, but they were more recessed than with the Lore.

Now that I have the Lore back at home, the sound field does not seem as deep. I hadn't expected this, as I guess it didn't strike me upfront about the Lore-S, but I guess I got used to it while they were here.

Still, the dynamics and room-filling sound of the Lore gives music through it a greater presence in my room, and even though the instruments don't have as much weight or dimension, I love the articulation of the Lore. I guess it's what we all call that "live" sound that they have. The Lore-S had all the details, but they didn't seem to carry the same energy and emotion as with the Lore. The Lore isn't as revealing, probably, but still very revealing, enough for me, but with greater emotion and musical energy.

Keep in mind with all of the above that I'm not a big small band, singer-songwriter, jazz, or classical buff. I listen to a lot of modern alternative, rock, etc stuff. I do listen to some smaller group and acoustic music too. Some of this is actually really well recorded, others of it definitely not. I also listen in a 16X24 room, with some good sized openings to other parts of the house, fairly well treated.

Bands and songs I'm very familiar with and used in my lineup for comparison:

Ani Difranco - What How When Where Why Who
Paul Simon - You're the One, and Hurricane Eye
Ray Lamontagne - You Can Bring Me Flowers
Fiona Apple - Carrion
Bonnie Prince Billy - Wai
Fleet Foxes - Sim Sala Bim
King Creosote & Jon Hopkins - Bats in the Attic
Soul Coughing - City of Motors, and Down To This
Stevie Ray Vaughan greatest hits - Little Wing
Dire Straits - Brothers in Arms
Ween (live in Chicago) - Mutilated Lips
Micky Hart (Global Drum Project)
Florence & the Machine
Keller Williams
American Beauty soundtrack

I'm happy to be back with the Lore. I have a tube amp coming to take the place of my Dayens Ampino solid state amp. I wonder if that will help close the gap in dimensionality without sacrificing the presence and emotionality due to dynamics and micro-dynamic articulation I currently have. If not that, I'm interested in trying the new Red Wine Signature 15. I'm also quite interested in what Goramon has shared regarding crossover tweaks and what he and others have noted about dampening. That could also help close the gap while retaining the overall character I like better about the original Lore.

Onward ho!
I forgot one last set of thoughts. I find the placement of the Lore pretty sensitive to very small changes and kind of hard to get the right balance of center fill and soundstage width/depth. When you get it right, it's really good, but it takes work.

I did not find the Lore-S to be nearly as placement sensitive. It sounded mostly the same whether flat or slightly tipped up, and not that different between a couple different positions I had used with the Lore. The differences were not nearly as large as with the Lore in those different spots. Probably relevant for those who don't have as much placement flexibility.