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Trans-Fi Terminator Tonearm: 2019 Update

In reading a few related posts on linear tracking tonearm, in general,  and Trans-Fi Terminator , in particular, I thought I would give a brief update of the Terminator.

I purchased the arm directly from Andrey in Moscow two months ago. From what I understand, Andrey has taken over production after Vic's retirement. What I received is the most up-to-date version of the arm with the carbon fibre wand and brass counterweights, the direct wire leads from cartridge to  phono amp, and a new brass manifold ( not evident from the main web-site). Both the wand and the new manifold are Andrey's contribution to the continued refinement of the Terminator.

Also,  please visit this site: https://darklanternforowen.wordpress.com/2017/04/15/terminator-tonearm-new-arm-mount/. This gentlemen from NZ has developed a new arm mount for the Terminator which advanced the arm's sonics even further. It was reading through the the development of this new arm mount that convinced me to order the Terminator after much prior research. I did not purchase the arm mount from NZ as it would not readily fit my Verdier La Platine, instead Andrey made a custom arm mount. It is in essence a two point support mount rather than a single point support rod that is commonly used. 

My previous arm was a SME V of 1990's vintage mounted with a ZYX airy. The Terminator is several notch above the SME V. All the accolades given to the Terminator seem justified. My main point in writing is that the new developments by Andrey, i.e. the carbon fibre wand and the newest brass manifold, seem to improve upon the Terminator even more ( see link above ). This is the news that I wanted to share with existing Terminator owners. I asked Andrey to start a blog on all the new stuff that is happening with the arm, but it seems that he is busy making 'things'!




ledoux1238
ledoux1238 OP
280 posts
 
There is a mini-review from a long time UK user of the Terminator who recently upgraded to the latest version which appeared in  a NZ forum. 

What is most interesting is that Vic chimed in towards the end of the  thread, and seemed to indicate that Andrey may down the road work on the Salvation TT !!!!

See discussion here:

https://darklanternforowen.wordpress.com/2017/04/15/terminator-tonearm-new-arm-mount/ 

slaw's avatar
slaw
21,439 posts
 
@ledoux1238,

Regarding condensation: Yes, that is an issue and there are several different ways to contend with it. Which way is best? I don’t know, but it may have something to do with how much money one is willing to throw at it.

I use a Jun-Air 6.25 compressor. This has it’s own tank. It has a low decibel operating rating of 45 db which is pretty darn quiet. I added an external 7 gal. tank. This runs through my Motor Guard (toilet paper) filter which serves to trap all moisture and to buffer any pulsing. I use the Montronix - like regulator which releases any built up pressure automatically ( based upon one’s setting) and a water trap for good measure at/near the source for visual peace of mind. I find with my arm running at around 19psi, the compressor cycles on every 35-40 mins. And that cycle lasts for around 3 - 4 mins.
ledoux1238 OP
280 posts
 
@slaw The condensation caused by high pressure pumps was a real concern when I was looking into a LT arm. The problem can be remedied as you have described. But where I am located, 80%-90% humidity for long stretches of time is very common. Your filter tank will have to work extra. Walker turntable sold here in the late 90’s was rendered inoperable due to constant clogging of air tubes. The newer models apparently has solved the problem. I believe Terminator is the rare LT arm that utilizes a low pressure pump.

FYI I ordered a pair of LFT 8b’s last week from Bruce. With shipping time added, I probably won’t have them installed  for Christmas. But I will report back on a different forum.
spiritofmusic
828 posts
 
Gentlemen, I've been running the Andrey 2019 version Terminator for a few months.
Progressed from Vic's original in 2013, via Owen's Al arm mount, Andrey's carbon fibre armwand, to the whole new arm. 
Will soon install my new tonearm wire comprising Kondo age-annealed silver/Cardas tags/Bocchino RCAs.
Tbh, I'd been so happy w Vic's original, I wasn't bothered to change. But Andrey's carbon fibre armwand was such a risk-free proposition, I thought I'd give it a try. And when it proved way more positive than I could have imagined, I took a punt on the whole kit and kaboodle, ordering the whole new arm.
And am I glad I did.
The new arm is a total triumph.
It both solidifies and clarifies the low end, streamlines the mids, and frees up the top end. And critically in my triodes/Zus based system which doesn't major on soundstaging, the new arm locks images in space, really making the soundstage way more tangible and precise.
My description is that it takes away some "fluttering" or wavering in the image, and imparts a real carved-from-stone quality.
I would say "like digital"...but digital can't get close to the palpable texture and natural warmth thru accurately rendered mids and upper bass that the best analog is superior at...and make no mistake, Andrey's Terminator is amongst the best analog components out there.
ledoux1238 OP
280 posts
 
It's fascinating to read the listening experiences of early adopters who have traded up to a brand new Terminator. It seems that the improvement over the earlier version is anything but subtle!

While we all have different supporting players to the Terminator, I can confirm  a much more tangible and precise soundstage over my previous SME V. I am, however, not quite there yet regarding image stability. This has led to my trying to optimize my La Platine's motor/thread drive ( reported on another thread ). And perhaps with a future upgrade in cartridge will get me there. 

The VTA adjustment through the Terminator had given me a new perspective on the differences in recordings. I find myself fiddling with the VTA, which can be done on the fly, more in order to 'dial in ' the sound. This convenience has added to my appreciation of the complex interplay between stylus, tonearm, table and recording. It is  the elevated resolution achieved through this arm that has allowed me to hear more into the music. Even digitally remastered Columbia recordings of Miles and Monk from the 80's ( och! ) has revealed new insights!

Marc, Please report back on the Bocchino upgrade. Together with your SS Strain Gauge, I am learning quite a-lot from your adventures. Thanks!


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