Ayre QB9 Twenty Upgrade


Hi Folks,I have an Ayre QB9 DSD DAC and I'm wondering about the new upgrade that Ayre is offering. It's cost is about $1500.00 so I'm not about to jump on the band wagon until I get some input about its sonic improvements. Currently, my QB9 has a Wireworld Platinum Starlight USB cable, Herbie's Tenderfeet, an Akiko XLR tuning stick, a Synergistic Research Blue Fuse, an ISO Regen with LP1 linear power source and an ASR Magic power cord. It sounds very neutral and very natural and I expect that I would ad those tweaks to the upgraded version as well. Any input about the sound differences would be greatly appreciated.Thanks!
goofyfoot
tomic601, I believe which ever is recommended by Ayre for general play. There is an A or B switch on the back and I believe it's on A. I do know that the upgrade guts the entire insides of the QB9 and that upgraded filters are part of that. Unfortunately, I know nothing about the DAC chip or filters, etc...
Filter settings are "Listen" and "Measure". Ayre recommends Listen for listening, Measure if you are a reviewer testing the unit on the bench (the Listen filter has better time-domain performance but rolls off the highs).

I'm pretty sure the filters are one of the few things *not* changed by this upgrade.https://www.ayre.com/2019/10/11/ayre-qb-9-twenty-update/
beetlemania, then Ayre was able to adapt the new circuit board and whatever else to the present filters which surprises me.
Ayre implements the filters in a Xilinx FPGA, which provides the necessary horsepower. In an e-mail, Hansen told me that, during the development of Ayre's digital products, "We have custom filters whereby we can load whatever coefficients we want into [the FPGA] . . . an external switch allows us to load different filter coefficients and hear the audible changes they make. This is a great test, as it allows for everything else to be held completely constant. I spent four solid months doing nothing but listen[ing] to the effects of various filters—corner frequency, stop-band response, minimum-phase vs linear-phase, apodizing, sharpness at the 'knee,' windowing functions, interpolation rates (eg, 2x vs 4x vs 8x vs 16x), dithering functions . . . every single factor I could think of.

beetlemania, that's interesting. Is this universal in the sense that recording engineers and others have the same ability?