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Capacitors for HP filters in tube amps recommendations?

I’ll soon be installing a capacitor on each of the input jacks of two tube power amps, to create passive 1st-order high-pass filters. Cap values are 19.9uF (20uF will do) and 30.33uF (let’s say 30uF). I’ll need two of the former and four of the latter (balanced/XLR input jacks), and I don’t want to spend more on the caps than the amps cost me ;-) .

I’m all ears for nominees. I don’t need or want any flavoring, "just" neutral transparency. The amps are powering fairly transparent loudspeakers (ESL’s, and Magnetic-Planars with Ribbon tweeters), which will pretty well reveal the character of the caps. In spite of that fact, "most-bang-for-the-buck" nominees are of particular interest, not cost-no-object ones. Thanks y’all.

128x128bdp24
bdp24's avatar
bdp24 OP
9,788 posts
 
So Erik, how do you incorporate the caps into an interconnect? Now that I think about it, since each amp is fed via un-switchable cables (one amp is balanced/XLR, the other se/RCA)---my pre has multiple balanced and se output jacks, caps on the cables sounds like a good idea. I wouldn’t know how to put caps into a balanced connection (a cap on each leg) other than inside the amp.
imhififan's avatar
imhififan
2,181 posts
 
Just an idea:

https://encrypted-tbn0.gstatic.com/images?q=tbn:ANd9GcT15rxshQZAWRLRnpGMMHNyBQYLj7uRM2cUGI-hid-oJ8yY...

bdp24's avatar
bdp24 OP
9,788 posts
 

It finally occurred to me (duh ;-) to do an Audiogon Forum search on the subject of capacitors, and holy cow---what a goldmine of information!

I also followed the link to the Humble Homemade Hi-Fi Cap Test, and double holy cow!! That was a lotta work!

Some caps stood out in both the above, and I now have it narrowed down to what appear to be the caps that provide the highest sq-to-price ratio. I’ll share them here, both for anyone else researching the subject, and any reactions.

- Jupiter Copper Foil. Though considered at the very top-o-the-heap, Sonicraft (a favorite vendor of mine) sells the .022uF for $28.50, relatively cheap. Parts Connection sells the same for $38.00. ?

- Clarity CMR (thanks Erik). Sonicraft sells the .022uF and .033uF for even less than the Jupiter.

- Miflex KFPM-01. Recommended to me by Danny Richie at GR Research, who sells .022uF and .033uF matched to 1% for about 20 bucks each. Sonicraft also sells them..

-Audyn True Copper. Parts Connection sells the .01uF, don’t remember the exact price, but as Marge Gunderson says in Fargo, it’s reasonable.

Any of the above are good enough for my needs, so I can’t loose. The only question remains will any of them fit in my amps?!


pragmasi
212 posts
 
All of the caps listed will be out performed by polystyrene in this application. Polypropylene are ideal when higher capacitance is required and the only other option would be electrolytic. I think there is a perception that more expensive must be better but in this case that is entirely wrong. If you want the best possible then look at the type of cap used in a top end phono amp in the RIAA section - there is no room for error in this application and any distortion will be massively amplified. I’ll put my money on them being polystyrene or NP0/C0G.
bdp24's avatar
bdp24 OP
9,788 posts
 

@pragmasi, I was hoping I would see a response from you to the above! Polystyrene, ay? I take it you don’t share the perception that caps made of plastic materials impart a "plastic" coloration? Can you expand on your contention that polystyrene caps will outperform polypropylene or copper foil/film/paper/oil/wax, etc. caps IN THIS APPLICATION (that interests me greatly---see below)? Thanks.

I haven’t received a response to my email to the designer of my two amps, but I already know he "believes" in using the right part for a given application---which doesn’t necessarily require an audiophile-approved boutique part, and that higher cost (or audiophile cache’ ;-) does not necessarily buy one higher sound quality.

Like Frank Van Alstine (another "sensible", old school ee), Roger Modjeski has seen his amps butchered by well-intentioned audiophiles, who replaced the stock parts (chosen and used for very specific reasons) with boutique parts which actually degrade the sound of their designs, not to mention their reliability. Some boutique parts are designed with a specific parameter prioritized, but also possess characteristics such that when (mis)used in an inappropriate application can result in not just degraded sound quality, but also unforeseen and unfortunate consequences.

Thanks again for the tip on polystyrene in general, and to those you above provided the link to. One advantage they afford is small diameter, making possible using 2 or 3 stacked .01uF caps side-by-side, to get exactly .02 and .03 combined values, rather than the .022 and .033 compromises. I’ll take another look at them, and google this polystyrene of which you speak. ;-)

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