Yes @wayneschlapkohl my observation was (mostly) about sq. I’m not qualified to judge really but I believe our Oregon Symphony comprises great musicians and leadership. Seems like they play very well. I’m just almost always disappointed with the sound in their principal venue. The sound coming out of my stereo (even when I’m sitting in the adjacent dining room….) from my turntable is cleaner, clearer, more dynamic (most surprisingly) and more balanced with more distinction between instruments…. I could go on and on.
I don’t know about comparing different performances of the same music or the fundamental talents of different orchestras. The berlin philharmonic seems the most brilliant on the beethoven to me but what do I know. I’m just an old jazz trombone player…..
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Caroline Spence - “Mint Condition”
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Re more popular and contemporary stuff seen live. I go through phases but still see a lot of live music for an old guy. I’m often one of the handful of older persons, if not the oldest person, in the crowd. I have to overcome my loathing for discourteous crowds but I keep going for the reasons you mention with most articulate description, yes, and maybe also to watch fingers. Saw Son Volt last week and they began their set, as I’ve seen Jay do several times now, with all the songs from his latest record (Union: https://www.discogs.com/Son-Volt-Union/release/13436312) and it’s of course sloppier and noisier than on the record but it’s live baby! It’s real. No substitute.
So, Caroline Spence is coming to my town on a Tuesday night next January on a double bill with some guy I don’t care much about but just bought my ticket. I must go see her perform in person to discover what the real deal is with this huge infatuation I have for her from just listening to her magical voice. She’s got kinda sneaky good talent. Control but not too contrived or dramatic or anything. Depth of genuine character. Just enough country - comes across as authentic. I have nothing but the best plans for our future life together…...
I don’t know about comparing different performances of the same music or the fundamental talents of different orchestras. The berlin philharmonic seems the most brilliant on the beethoven to me but what do I know. I’m just an old jazz trombone player…..
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Caroline Spence - “Mint Condition”
_________________________________
Re more popular and contemporary stuff seen live. I go through phases but still see a lot of live music for an old guy. I’m often one of the handful of older persons, if not the oldest person, in the crowd. I have to overcome my loathing for discourteous crowds but I keep going for the reasons you mention with most articulate description, yes, and maybe also to watch fingers. Saw Son Volt last week and they began their set, as I’ve seen Jay do several times now, with all the songs from his latest record (Union: https://www.discogs.com/Son-Volt-Union/release/13436312) and it’s of course sloppier and noisier than on the record but it’s live baby! It’s real. No substitute.
So, Caroline Spence is coming to my town on a Tuesday night next January on a double bill with some guy I don’t care much about but just bought my ticket. I must go see her perform in person to discover what the real deal is with this huge infatuation I have for her from just listening to her magical voice. She’s got kinda sneaky good talent. Control but not too contrived or dramatic or anything. Depth of genuine character. Just enough country - comes across as authentic. I have nothing but the best plans for our future life together…...