If you like DIY projects, try a pair of Forte I's with Bob Crites crossovers, (or consider ALK crossovers), Crites titanium tweeter diaphragms, and an earlier (1970s in my case) Heresy midrange compression driver/diaphragm which were of higher construction/sound quality. All were individual improvements to add depth and clarity while removing some of the "edgy" sound you may be referring to. Total investment for the speakers in excellent oak cabinets was right at $1000 a few years ago, besting anything I've heard in that price range. Pre amp and power amp (35 watts) are tubes, which have always provided a warmer sound than solid state for these high efficiency speakers. At least have a tube pre amp in the chain.
(BTW, I also dampened the horns and did A/B comparison with mono source and heard no appreciable difference - just be sure the horns have there gaskets and are screwed tight to the baffle.)
This provided very good near field listening up to moderately loud listening in an open floor plan listening area with typical curtains, upholstered furniture, etc. As others have said, the Forte's larger cabinet will provide a noticeably deeper bass than the Heresy and the passive radiator system they use is very good for tight bass, even compared to other speakers their size. Tweeter and midrange compression drivers and horns are the same for Heresy and Forte with some crossover differences due to woofer crossed over higher in Heresy.
Then moved these modified Fortes to a 13' x 21' dedicated listening room with pine walls, drywall ceiling and some rugs on the floor. Much more shrill and "edgy," with a smeared bass and loss of instrument placement, especially as the volume was turned up, compared to the first room mentioned. Room treatments (absorption) including bass traps in all corners, first and second reflection points on wall and ceiling treatment above listening area now has them sounding better than ever with rich tones, open sound stage and all that. The reflection point panels made the most difference taming the "edgy" sound. And they sound great with everything from classical, jazz, blues, to well recorded rock (well recorded/engineered etc. being key here).
So room treatments can make a very big difference for any speaker depending on what type of room setting you have, so can be the best starting point. Good luck finding what you're looking for.
(BTW, I also dampened the horns and did A/B comparison with mono source and heard no appreciable difference - just be sure the horns have there gaskets and are screwed tight to the baffle.)
This provided very good near field listening up to moderately loud listening in an open floor plan listening area with typical curtains, upholstered furniture, etc. As others have said, the Forte's larger cabinet will provide a noticeably deeper bass than the Heresy and the passive radiator system they use is very good for tight bass, even compared to other speakers their size. Tweeter and midrange compression drivers and horns are the same for Heresy and Forte with some crossover differences due to woofer crossed over higher in Heresy.
Then moved these modified Fortes to a 13' x 21' dedicated listening room with pine walls, drywall ceiling and some rugs on the floor. Much more shrill and "edgy," with a smeared bass and loss of instrument placement, especially as the volume was turned up, compared to the first room mentioned. Room treatments (absorption) including bass traps in all corners, first and second reflection points on wall and ceiling treatment above listening area now has them sounding better than ever with rich tones, open sound stage and all that. The reflection point panels made the most difference taming the "edgy" sound. And they sound great with everything from classical, jazz, blues, to well recorded rock (well recorded/engineered etc. being key here).
So room treatments can make a very big difference for any speaker depending on what type of room setting you have, so can be the best starting point. Good luck finding what you're looking for.