So Mike, it appears you have an obvious bias in this regard which makes it difficult for us to interpret what you have to offer in this conversation.
obvious bias? really?
it’s tempting to get defensive with a comment like that. i will try to stay objective here in my response.
would a person who is at least as much invested in digital performance as anyone on the whole forum be somehow biased against digital? i want my digital to sound the best it can possibly sound, and have committed considerable time and assets acquiring the gear, then optimizing every aspect of it.
70% of my listening is to digital. i love it. i’ve got both files and streaming fully optimized.
i’ve spent 20 years with a focus on format optimization....all formats. so it’s a big important subject to me. i have digital, vinyl and tape optimized. i enjoy all three. i can fully appreciate digital, but i call a spade a spade when it comes to direct comparisons with analog.
so point out your evidence of bias here in my perceptions. i don’t see any.
i think it’s wrong to confuse theoretical advantages of digital on paper to real world listening realities. but unless you have the daily opportunity to compare the tip top examples of each one i can see how the theory might cloud your reality perception. that there is bias.
forget numbers and stuff. follow your ears and musical connection.