Many people prefer vinyl (even though much of the time the source material was digital). Many people prefer all digital chains. It is a good thought exercise to try to determine if anything is wrong with digital, if you stick to things that are factual. It is an equally good thought exercise to determine what is "wrong" with vinyl and what makes that sound attractive to many.In point of fact I didn’t say vinyl ( which admittedly has issues ) I specifically said analog and thru several decades of work experience have heard analog recordings of events and their digital equivalent. And frankly those digital equivalents while awfully good ( and getting better over time ) were/are still not up to the level of high level analog.
And absolutely yes I would love to understand why that is the situation. I mean digital has incredible potential, it is convenient, easy to manipulate and store, can be played back in very small portable formats, but on the big score, music playback, not so much.
And I think don’t throwing more math at it will solve the problem because the problem is tied up in a mechanism, the human, that is at best understood by weak grid science ( science mostly defined by sufficient conditions and not the necessary ones that strong grid science usually operates in ) In such a situation the factual bits are fuzzy but it may be a good idea to maybe look at that end of things to get a better idea of how to optimize the digital math. Cause if the author is even slightly right it seems the situation right now is akin to a digital square peg being hammered over and over again into a sinusoidal hole. And yeah the math may be perfect but remember the map is not the territory.
And yes the article is far from perfect but does at the very least throw the analog vs digital debate into a new light. I read it and see a possible avenue for further exploration. It does not, in my most unbelievably humble opinion, deserve the whole-sale dismissal you have painted it with.