Lewm:
Hi, in retrospect and after rereading my response, I find that I was unduly curt in my response, for that I apologize.
Now to your points :) in fact the fuse in this case absolutely does carry the entire electrical signal as it is in “direct” series with the power line into the unit. This is not a case of a fuse somewhere upstream of the transformer/diodes/filters (pi filters, etc). Remove the fuse, and no power is delivered to any part of the device, i.e. open circuit.
Remeber that the audio signal is nothing more than modulated DC, which was derived from the rectification of the transformer AC output. This is why a fuse does actually have a sound. Everything matters in a highly resolving system.
Now as to why it sounds so good. I believe part of it comes from the 120v rail design used by SPL and the proprietary discreet opAmp technology. The other part is most likely due to the Douglas Self styled RIAA filtration. I am a big proponent of Douglas Self and regularly refer to his book The Design of Active Crossovers (ISBN-13: 978-1138733039).
I am not saying this is the best phono stage I’ve ever heard but it is among them. Does it bloom like my Luxman EQ500? No, but the dynamics! The timing and clarity are just simply top notch.
Hi, in retrospect and after rereading my response, I find that I was unduly curt in my response, for that I apologize.
Now to your points :) in fact the fuse in this case absolutely does carry the entire electrical signal as it is in “direct” series with the power line into the unit. This is not a case of a fuse somewhere upstream of the transformer/diodes/filters (pi filters, etc). Remove the fuse, and no power is delivered to any part of the device, i.e. open circuit.
Remeber that the audio signal is nothing more than modulated DC, which was derived from the rectification of the transformer AC output. This is why a fuse does actually have a sound. Everything matters in a highly resolving system.
Now as to why it sounds so good. I believe part of it comes from the 120v rail design used by SPL and the proprietary discreet opAmp technology. The other part is most likely due to the Douglas Self styled RIAA filtration. I am a big proponent of Douglas Self and regularly refer to his book The Design of Active Crossovers (ISBN-13: 978-1138733039).
I am not saying this is the best phono stage I’ve ever heard but it is among them. Does it bloom like my Luxman EQ500? No, but the dynamics! The timing and clarity are just simply top notch.