The reason why The Industry kept increasing the bit rate and sampling rate is largely due to the simple fact that stock off-the-shelf untreated Redbook CDs 💿 played on stock untreated CD players sounded thin, harsh, two dimensional, bland, irritating, flat, unemotional, unnatural, boomy, screechy, and like papier-mâché. These severe issues with sound quality were not (rpt not) helped much by increasing bit rate and sampling rate, unfortunately, for the reasons I list below, I.e., the SYSTEM wasn’t good enough. For obvious reasons, the incessant releases of remastered CDs didn’t help much with sound quality either, I.e., Dynamic Range over-compression.
Let’s review the most prominent things that affect CD system sound quality, shall we? Room acoustics, power cords, vibration isolation, resonance control of the player, resonance control of the CD, aftermarket fuses, wire directionality 🔛 and reduction of scattered laser light interference. You could say it was the Tweakers vs The Industry.
All the king’s horses and all the king’s men couldn’t put Humpty Dumpty back together again. 🥚
Let’s review the most prominent things that affect CD system sound quality, shall we? Room acoustics, power cords, vibration isolation, resonance control of the player, resonance control of the CD, aftermarket fuses, wire directionality 🔛 and reduction of scattered laser light interference. You could say it was the Tweakers vs The Industry.
All the king’s horses and all the king’s men couldn’t put Humpty Dumpty back together again. 🥚