Classical Music for Aficionados


I would like to start a thread, similar to Orpheus’ jazz site, for lovers of classical music.
I will list some of my favorite recordings, CDs as well as LP’s. While good sound is not a prime requisite, it will be a consideration.
  Classical music lovers please feel free to add to my lists.
Discussion of musical and recording issues will be welcome.

I’ll start with a list of CDs.  Records to follow in a later post.

Berlioz: Symphonie Fantastique.  Chesky  — Royal Phil. Orch.  Freccia, conductor.
Mahler:  Des Knaben Wunderhorn.  Vanguard Classics — Vienna Festival Orch. Prohaska, conductor.
Prokofiev:  Scythian Suite et. al.  DG  — Chicago Symphony  Abbado, conductor.
Brahms: Symphony #1.  Chesky — London Symph. Orch.  Horenstein, conductor.
Stravinsky: L’Histoire du Soldat. HDTT — Ars Nova.  Mandell, conductor.
Rachmaninoff: Symphonic Dances. Analogue Productions. — Dallas Symph Orch. Johanos, cond.
Respighi: Roman Festivals et. al. Chesky — Royal Phil. Orch. Freccia, conductor.

All of the above happen to be great sounding recordings, but, as I said, sonics is not a prerequisite.


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Helen Grimaud, Memory ECHO
ugh
Hélène Grimaud Releases ‘Memory Echo’ Remixed by Nitin Sawhney

Pianist Hélène Grimaud collaborated with Nitin Sawhney on ‘Memory Echo’ featuring remixes of Satie, Debussy, Rachmaninov and new works.

Published on

November 7, 2019

Pianist Hélène Grimaud collaborated with composer and producer Nitin Sawhney on their new digital release Memory Echo. Sawhney and Grimaud returned to music and ideas they began exploring in 2018 for Grimaud’s Memory album where she explored piano miniatures. On Memory Echo Sawhney has woven together four of his original compositions performed by Hélène Grimaud – The Fourth Window, Picturebook, Time and Breathing Light – with remixes of Satie’s ‘Gnossienne No.1’, Debussy’s ‘Clair De Lune’ and Rachmaninov’s ‘Vocalise’. By refining the essence of his collaboration with pianist Hélène Grimaud Nitin Sawhney has developed her extraordinary Memory album even further.

Sawhney’s remixes and new works complement the lyricism of Hélène Grimaud’s artistry. Each track evokes echoes of Memory with a subtle blend of electronics, acoustic sounds, mantra-like vocals and minimalist melodic riffs.


Elisabeth Leonskaja 
wow, the real deal
listening to her Chopin nocturnes
never heard of her until today
originally from Tblisi, studied in Moscow
recorded with Richter
married to Kagan
http://www.leonskaja.com/home1
https://en.wikipedia.org/wiki/Elisabeth_Leonskaja

Yes Jeremy as you say "the real deal" and I was listening to BBC broadcasts of her in the seventies and eighties. A great tecnique and sumptuous tone.
To all who addressed my query regarding Rhapsody in Blue...

I’ve been able to find all of your recommended recordings. Next up, sorting through album recording quality (access is via Tidal and Qobuz).

I’ll report back in a few days.

Thanks again for your help.
Want to add that I’m really enjoying the Gershwin Plays Gershwin solo piano version from 1924.

Here is additional information for those who, like myself, are not at aficionado levels.... : )

http://www.openculture.com/2016/02/the-original-recording-of-rhapsody-in-blue-1924.html

http://www.classicalnotes.net/classics/gershwin.html