Would you say there is inherent limitation in the phase shift that is a factor of the comparator speed, digital logic delays, and turn-off time of the FET? What do you think a practical limit is on that? That may put a practical limit of a few-10 degrees at 20Khz, but that would be inaudible.The phase shift is indirectly related to the speed of parts like the comparitor (which typically has plenty of more speed than the output section). It is directly related to the filter at the output.
As I understand it from you and Bruno Putzeys as a layman, there is no such thing as too much feedback with class D amplification. The generally accepted concept that feedback negatively effects the sound quality of traditional linear amplifiers may be true, but this aversion to feedback doesn't apply to class D amplifier design. Very high levels of feedback, in an intelligently designed class D amp, are actually utilized to optimize the sound quality throughout the entire audible frequency spectrum.That's it in a nutshell.
Am I understanding this correctly?
The problem is phase shift in traditional designs prevents the application of the required amount of feedback in such amps; otherwise oscillation will occur. For this reason **every tube and solid state amplifier made has had insufficient feedback**. This has resulted in the applied feedback adding its own distortion- which is interpreted by the ear as brightness and harshness. This is why every amplifier with feedback up until now has sounded brighter and harsher than real life, and has fueled the tubes vs transistor debate all these decades. The industry has also been complicit in this problem, so when you see harmonic distortion measurements the fundamental frequency is usually fairly low (60Hz is common) so as to not get in trouble with the gain bandwidth product limitations of the amp under measurement! And this also explains why zero feedback amplifiers (like our OTLs) exist, as by designing a circuit that is linear enough to run without feedback the harshness and brightness of feedback is avoided.
Transient Intermodulation Distortion is a symptom of poor feedback loop design coupled with poor gain bandwidth product and insufficient feedback.
Can you define the time domain characteristics of feedback in a Class-D amp and linear amp?Yes. In a class D amp its all about propagation delay. In a conventional amplifier its all about phase shift as capacitive strays roll off the response (introducing phase shift). Effectively both have the same effect- at some high frequency the feedback is no longer negative so oscillation can occur. But unlike a conventional design, in a class D you can take advantage of that oscillation by using it as the switching frequency.