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I think at this POINT IN TIME. With evidence we have gathered, the brightness of the cable was (by design) constructed that way. SO the SIZE is not in question but the design is. A different copper design worked but with "less resolution" Is that a fair assumption?"
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There are basicly two factors that makes a cable sound bright or thin;1: they are(!) thin (=reduces low-end oomph, amp can`t breath) and 2: crossoverdistortion.
The only way to get a rich, open, clean and dynamic sound is to run thick solid core conductors. From the fusebox to the voicecoils if you can, but the speakerwires are the most critical
audiozenology; you have never tryed out this. If you had you would know that it is wrong.
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There are basicly two factors that makes a cable sound bright or thin;1: they are(!) thin (=reduces low-end oomph, amp can`t breath) and 2: crossoverdistortion.
The only way to get a rich, open, clean and dynamic sound is to run thick solid core conductors. From the fusebox to the voicecoils if you can, but the speakerwires are the most critical
audiozenology; you have never tryed out this. If you had you would know that it is wrong.