Thiel Owners


Guys-

I just scored a sweet pair of CS 2.4SE loudspeakers. Anyone else currently or previously owned this model?
Owners of the CS 2.4 or CS 2.7 are free to chime in as well. Thiel are excellent w/ both tubed or solid-state gear!

Keep me posted & Happy Listening!
128x128jafant
I like Beetle's perspective, and the two factors are fundamentally linked. Early-on, I wanted to work toward an ongoing entity that would transcend any and all founders' contributions. Jim disagreed. He wanted a vehicle to support his research and development ideas. "And when I'm finished, it's over". That stance caused the lack of successors to his chops, which in turn caused the lack of interest from qualified buyers, since history is but a small fraction of viability. An extensive multi-year worldwide search turned up NO qualified buyers. The denouement was thoroughly predictable because it was embedded in the company's genes.

The paragraph above is a short snippet of a 40 year scenario that was quite difficult to live through. A company, even a small entity like Thiel Audio, orchestrates significant life events and outcomes for scores of people spanning dozens of years. A primary motivation for my re-entry into this story is to soften some of the rough edges of the company's trajectory.

To Andy's point: New Thiel demonstrated quite clearly how a marketplace responds to non-focused strategies. New Thiel spent $10Million trying to do the standard job really well. Their tower speaker got 5 stars from Brent Butterworth and did the standard thing at least as well as X,Y and Z. But who would buy a Thiel Standard, when you could buy the real X,Y or Z Standard from PSB, B&W or anyone else in the field. Primary among the reasons we chose first order slopes is the uncanny rightness of sound, which I have previously addressed in this forum. For those who "get it", there is often no going back. Count me in that camp in company with many of you. Another reason was the extreme difficulty. By the time of the 03 and 04 in the late 1970s, there were companies (Japanese and European) buying them for competitive evaluation. I, as external affairs liaison, would follow up those encounters. Frankly, we were afraid that companies with comparatively unlimited resources would take our ideas and leave us in the dust. A senior executive at Dynaudio relieved our angst by saying: "What you are doing is impossible, expensive and invisible. Don't worry about others trying it." He was right, and we changed stragegy from patenting innovations to running as fast as we could on our own course. That seemed worth doing, and still feels good.   
In case anyone is interested,
received the following email from Audio Consultants:

Audio Consultants Retirement Sale Continues

Dear Friends,

As you know, before we officially closed our doors on December 21st, we held a comprehensive sale and most of our vast inventory is gone.   However, a few interesting items remain.  Some of these include:

- 1 pair Vienna Acoustics Music, with crates

- 1 pair Vienna Acoustics Mozart Grand with boxes

- 1 pair Vienna Beethoven Concert Grand, with boxes

- HRS MXR double wide rack with platforms

- Various Salamander cabinets and racks

- Various Transparent cables

- 1 Solid Tech 20” high double wide rack

- 1 pair McIntosh HT3 dipole speakers

- 1 pair Klipsch RS7 speakers

- Critical Mass amp stands

- Grand Prix amp stands

- 1 pair Thiel SCS 3 speakers

To inquire about anything, please call 847 864 9565 or please stop in.  I will be in the store every day until about the end of January, probably from 10am to 4pm.

Thank you again.

Sincerely,

Simon Zreczny


I am in complete agreement with Beetlemania. The core designs are what helped separate Thiel from the herd. It would be hard for a small company to market competing design principles and still maintain credibility. Grooming a replacement for Jim wouldn't be too easy. As the late Roy Johnson of Green Mountain used to say, most people aren't up to doing the math. There aren't that many with the chops and the will. It's one thing to put together a 1st order crossover in a slanted box , it's another to customize for driver anomalies so that the whole acts as a time coherent system. When I first got serious about auditioning speakers, and not understanding the reasons why, I kept coming back to the few time coherent designs (the maggies were the only exception even considered). To this day I am still consistently  attracted to time correct designs over all others. 
In response to Andy 2 "Monday Quarterbacking" I'll offer that over the 40 year Thiel sales history, perhaps 10% of their buyers knew what a first-order crossover was, its real benefits and challenges. And perhaps 1% of those buyers knew the engineering well enough to truly appreciate the technical aspects, as Tom touches on above. That's just a total guess knowing the hifi buying population I've engaged with over 45 years (not as a salesman).

I'm perhaps in the 1% above (NOT "the 1%"!) and it still came down to lots of listening in audio showrooms in the brick and mortar days to Thiels versus similarly priced and respected speakers. I had a preference for their engineering, but if they didn't appease my sound priorities vs all the other good speakers of the day anywhere near their price or form factor, I wouldn't have bought 2.3s, and later 2.4s. I had no trouble finding Thiels among many dealers throughout the northeast with which to compare to many other brands. They didn't seem a 'boutique' speaker to me at the time, splitting the difference between say B&W and oh I dunno, Silverline Audio.

Also, Thiels were generally getting good to great reviews over the years, with 'too bright' being the most common complaint I recall. Thiel's "real" designs of their final decade seemed the best-received.  So I don't agree that things would have been any different if Jim chose to use higher-order crossovers to 'save' the company, assuming the voicing, pricing, cabinetry, etc were otherwise similar. Doing so would dumb-down the brand for the 10% and have little perceivable difference in the showroom for the 90%.  Perhaps the bigger 'problem' was Jim's solo brilliance and unwillingness/difficulty in finding a suitable protege, ending up with perhaps the dumbest audio-related buyout I've ever been aware of :-(