Whats on your turntable tonight?


For me its the first or very early LP's of:
Allman Brothers - "Allman Joys" "Idyllwild South"
Santana - "Santana" 200 g reissue
Emerson Lake and Palmer - "Emerson Lake and Palmer"
and,
Beethoven - "Piano Concerto No. 4 in G Major" Rudolph Serkin/Ozawa/BSO
slipknot1

Hi @slaw. my LRS was selling the boxset at full price, and Amazon was discounting it only 10%, so I dug deep and found it for $117 on the Walmart website (of all places!). But I knew I would get an Amazon giftcard or two for Christmas (I did), so waited. Amazon is now selling it for $105, and my copy is on it’s way.

It has long been said that the master tapes for the brown album went missing years ago. So when Audio Fidelity released the Steve Hoffman-mastered gold disc version and claimed Steve’s source was the "Original Master tapes", the question was, what was meant by "master"? The 4-track 1" tapes producer/engineer John Simon had recorded? The 2-track 1/4" final mixes used for mastering? Or as is commonplace, a production master---a copy of the final mix tape?

Capitol is saying Bob Clearmountain created new mixes (Uh oh. I LOVE the mixes John Simon and The Band created) from "The Original Master Tapes." You can’t create new mixes without having the multitrack tapes. By the way, can you believe The Band recorded the album doing both instruments and vocals live (with additional parts added after an acceptable master take had been captured)?! By 1969, NOBODY was doing that, or perhaps even could. Except Dylan and the Nashville studio musicians he started recording with in ’65, of course.

The boxset includes the album split onto two 45RPM discs, along with a CD containing their Woodstock set, and another with unreleased tracks and alternate versions of released tracks (plus a book with essays and pics, their original 45RPM single, and some prints of pics by the guy who did those for the original album, which were SO perfect for the sound of the record. I love sepia.). By the way, Robbie Robertson’s book Testimony will make great reading while you listen to the album. It is really, really good. Barnes & Noble has remaindered hard cover copies left for about seven bucks.

@bdp24 ,

I'm no expert by any means,,,but I think Karen Carpenter's brother, Richard, (who IMO Was/Is a musical genius) developed the multi-tracking along with Chet Atkins

Actually, it was Les Paul. He recorded those albums with his wife Mary on his own 3-track in the 1950's, in their basement, I believe. Over-dubbing multiple guitar parts, "bouncing" the recordings from channel to channel until he had all the parts on tape. The early Beatles albums were also done bouncing, as they also had only three tracks to work with, then four, eight for the white album, and then the first 16-tracks appeared.

Richard Carpenter came along much later.

BTW... why in the hell should WE, the buying public have to be concerned with symantics?  If an album is described as being mastered from the master tapes.  Why in the hell should the interested parties have to investigate what is meant by "master tapes"

What in the hell has our discourse come to?