Cartridge loading


Presently I am using a ZU/Denon DL103 mc cartridge with ZU Audio's highest tolerances.  I had this cartridge mounted on my VPI Prime and after going through all the various loading combinations, I settled on 200 ohms.  I was always satisfied with my choice of setting.  I no longer have the Prime and now use the Technics SL1200G turntable.  After having the same cartridge mounted and aligned by the dealer, I inserted it into my system and enjoyed the sound immensely, never touching the 200 ohm setting.

Yesterday I was listening to vinyl most of the day and for some reason I found the sound to be better than ever, mostly in the treble area.  The highs had shimmer when needed and I had played the same records many times before on the Prime and they never sounded as good as they did yesterday.  Just for the heck of it, I checked the cartridge loading and found it was now set at 1000 ohms.  As I said, when I put the Technics into the system, I never bothered changing the loading which was at 200 ohms as it was the same cartridge, just a different turntable.

I believe I know what happened, when I last used the tone controls on my McIntosh preamp, (you have to shuffle through a menu) I must have inadvertently put the cartridge loading at 1000 ohms.  It truly sounds fantastic, better than I ever thought possible.  The Bass is still very deep and taut, midrange is the same but the treble, oh my, so much better.  Now the million dollar question is why should it now sound better at 1000 ohms, when it sounded great before at 200 ohms?  Can the tonearm on the Technics have an effect on cartridge loading?  I always thought it was all dependent on the preamp, amp and speakers.  What am I missing here?  I am very curious to know.  The specs for my cartridge say greater than 50 ohms for loading.

Thanks
128x128stereo5
Dear @intactaudio  : Thank's for the clarification I understand it in diferent way.

At the end through measurements or listening tests seems to me that only you, PM, JC, Palmer and I " experienced " that loading subject and its effects, at least according with the facts I have on hand.

Sorry @lewm  you was rigth.

R.
For the record, I did mention the relationship between the input impedance of the Intactaudio device and the output Z of my MC2000 (2 ohms into 20 ohms), by way of speculating on how it is working with that particular cartridge. Nearly any very LOMC cartridge with a very low internal R would tend to work with the IA device in a voltage-dependent manner, I guess.  Still, the IA device also sounds great with one of my other LOMCs that has a high-ish internal R and where the amplification would be more in the current domain.  (Dynavector 17D3 which has internal R = 32 ohms.) Be that as it may, I am driven to try out a very very low input impedance phono some time, with the MC2000, just to satisfy further my curiosity.

Raul, When IA used the term "tests", he meant exactly that.  He made measurements using the proper test gear and said nothing about listening tests.  Not that there is anything "wrong" with either approach, except I would posit that subjective testing based only on listening is fraught with error, not the least of which is error due to listener bias.  Furthermore, Dave (IA) was not per se testing Atmasphere's hypothesis that low resistive loads impair HF tracking.  He was testing a finding put forth by Moncrieff, to the effect that unloaded LOMCs (i.e., with a 47K ohm load) exhibit a form of IM distortion (when he used one particular pair of frequencies for his IM test) and that the distortion is reduced when you use progressively lower resistive loads, down to 100 ohms. Nevertheless, Moncrieff's and Dave's measured findings might (or might not) provide a scientific rationale for your position.  As for me, I wonder about the particular pair of frequencies that Moncrieff used for the IM test and whether one might get a different result for other pairs of frequencies.  (I think the upper one was 4KHz; would that be high enough for the effect described by Atmasphere to kick in?) Or for different cartridges.  (I don't know what cartridge was used by either Moncrieff or Dave.)  Finally, I personally wouldn't care if using a 47K load produces a bit more measurable distortion, as long as the result sounded closer to live, real music compared to a 100R load.
Raul, Likewise, I wrote the above post before I saw your response to Dave.  No problemo.
Dear friends: Yesterday I mounted the Talisman LOMC cartridge that's an extraordinary performer and I did exaustive tests " plñaying " with load impedance and capacitance and no matters what and even that my system has very high resolution with every kind of distortions at minimum I can't detect/be aware of no single anomaly in the HF range and I put focus on that HF range. Nothing.

So with LOMC cartridges  current or voltage phono stages designs makes no diference in that  loading subject where that " limit trace " does not exist.

So and due that over 95% of the phono stages are voltage designs the important issue down there is the overall quality levels of the design and the quality levels of the excecution of that finished design on the market.

Btw, no one of the LOMC cartridges that I tested performs in a superior way when loaded at 47k, always inferior quality levels against lower loading values. My MM/MI I " historically " load it at 100K.

Regards and enjoy the MUSIC NOT DISTORTIONS,
R.
I'd imagine the compliance change may not be big in the manufacturer specified load range so no one cares. Plus load optimization is usually done by ear anyway.
There is something called the 'Grado dance' that has to do with the low output Grado in the Graham 2.2. I've experienced it myself. In a nutshell, the two are incompatible due to the mechanical resonance frequency. However, the Grado low output cartridges behave in a similar manner to LOMC cartridges and by loading the Grado the 'dance' can be eliminated.
@rauliruegas I recommend that you contact Jonathan Carr and he will confirm our conversation in Munich. It was certainly not my imagination. Again, I have not specified at what frequency the cartridge will be less reactive to the groove. I've been careful about that! Cartridges cover a wide range of inductance values and outputs; what I **have** noticed is that all modern cartridges have bandwidth that exceeds many of the cutter heads that cut the LPs. Our cutter is bandwidth limited by the mastering electronics to go flat at 42KHz (IOW a single pole rolloff is introduced at 42KHz at the output of the mastering amplifiers). A Grado Gold running in a older Technics SL1200 has no problem playing back the output of the mastering system at any frequency it can make from 20KHz right up to the 42KHz cutoff. I've not attempted any frequency above that as the risk of damaging the cutter head is great due to the RIAA pre-emphasis.


Since LOMC cartridges can go much higher than MM cartridges (see http://www.hagtech.com/loading.html) and since I've yet to see loading affect any LOMC cartridge at audio frequencies (although I've only sampled a very few) it is logical to conclude that with my sample set that loading is affecting them outside the audio band due to the mechanical damping caused by electrical loading. I have made this clear in prior posts. That this occurs is not a matter of debate. Since I have not studied all MC cartridges made, its logical and safe to assume that some of them may well be affected at lower frequencies than those in my sample set.


Aristophanes , a well-known Greek philosopher, once said “Youth ages, immaturity is outgrown, ignorance can be educated, and drunkenness sobered, but stupid lasts forever.” So what's it going to be? Choosing to be ignorant by refusing to study the topic??


@lewm About 20 years ago I conducted a study of loading on phono cartridges in an effort to see if I could make a box that would tell you what the ideal loading of a LOMC cartridge actually was. It was in that study that I realized the loading was not affecting the electrical aspects of the cartridge at all. With many inductors (like an audio transformer) you can 'ring' the inductor with a square wave and observe the results on an oscilloscope. You can then adjust the load on the inductor so there is no overshoot but also not any rounding of the square wave. This isn't really possible so I usually go for a slight bit of overshoot.


What I noticed with the LOMC cartridges in this situation was the output waveform looked like the input squarewave. No ringing, no rounding. All the loading was doing was decreasing the output, especially below a certain minimum load resistance. At this point I realized that this was confirming my prior experience that loading was affecting the preamp's reaction to RFI rather than anything to do with the cartridge. This would also explain how a cartridge can be part of the resistive ratio that determines the gain of an opamp, as seen in current amplifier phono sections, without noticeably affecting bandwidth.