Your opinions about KOETSU URUSHI BLUE or VERMILLION


Hi I plane to buy a new cartridge, a KOETSU URUSHI BLUE or VERMILLION. But I would like to get your opinions on what is really the diffrences with BLUE and VERMILLION , Speaking of sound of course. I listen to all kind of musique, classical, very heavy rock. My others cartridges are ZYX OMEGA and BENZ LPS, do you think that the KOETSUs will get the same bass power than my others cartridges ?
Thanx


andychris
As I recall, all the color-coded variants of the Urushi vary from one another mostly by the lacquer finish.  However, there is one, and it might be the Blue or the Red (Vermilion), that uses a different coil wire (e.g., silver coated copper vs copper) and therefore would stand a chance of sounding different from the rest of the Urushi models.  This info is available on the Koetsu website, such as it is or used to be.  Happy owner of a Wajima variant here.
I believe the Vermillion is unique in that it has half the output at 0.2mV vs. the 0.4mV of other Urushis and the non-Platinum Rosewood - due to its unique coil configuration. If you go for Vermillion I think you would be advised to pair it with a SUT of a high ratio (30x), rather than trying to push enough gain from an active MC stage.
Rather than spitting hairs among Koetsu's I would be casting a wider net and looking at the Hyperion from Soundsmith. As long as you're in that price range. Same or more output, half the moving mass, lifetime stylus replacement, best warranty in the business. What I have my eye on anyway. After the current Koetsu Black Goldline...
Miller.

I just bought a Black Goldline, should get it in this week. Hope it lives up to expectations!
Just be aware that “lifetime warranty” and such may not mean as much as it sounds for these basically 1-man companies run by out of shape older guys. At least the Japanese analog masters often live and work into their 90s :-P