Dear @grannyring @cal3713 and friends : Yesterday I changed the stand alone bnd-pass and tweeter crossovers by two caps in parallel at each position where all caps have the same voltage spec.
After half a hour of free play the caps already settle down due that all are used caps: two came from the original input coupling in my Levinson's and the other 6 came from a Classé Audio DR3-VHC that I owned.
Question: makes sense to any of you that one improvement been that noise floor goes down? because after runned twice by evaluation proccess this was the first improvement I listened and listen.
Second was that focus is dead dead centered as if was deeply underground ( better than beefore. ), then I noted that ( as in live music events at near field position. ) I almost can determine the distance/position of the different instruments in the stage in a solid and vivid manner.
In complex scores as the Battle track in the Gladiator soundtrack exist better separation in between the different instrument sounds, same happens too with the Telarc 1812 recording. I can identify better the individual sound of each insterument and at the same time with high coherence in between.
I did not what to expect for the parallel caps changes so these kind of improvements are welcomed.
I have to say that the differences for the better is " night and day " but my evaluation proccess and system resolution permit me to be aware of those little and sometime tiny level chamnges.
I still waiting for the caps for the bi-amp high pass filter.
R.
After half a hour of free play the caps already settle down due that all are used caps: two came from the original input coupling in my Levinson's and the other 6 came from a Classé Audio DR3-VHC that I owned.
Question: makes sense to any of you that one improvement been that noise floor goes down? because after runned twice by evaluation proccess this was the first improvement I listened and listen.
Second was that focus is dead dead centered as if was deeply underground ( better than beefore. ), then I noted that ( as in live music events at near field position. ) I almost can determine the distance/position of the different instruments in the stage in a solid and vivid manner.
In complex scores as the Battle track in the Gladiator soundtrack exist better separation in between the different instrument sounds, same happens too with the Telarc 1812 recording. I can identify better the individual sound of each insterument and at the same time with high coherence in between.
I did not what to expect for the parallel caps changes so these kind of improvements are welcomed.
I have to say that the differences for the better is " night and day " but my evaluation proccess and system resolution permit me to be aware of those little and sometime tiny level chamnges.
I still waiting for the caps for the bi-amp high pass filter.
R.