I had 2 copies of Bjork's Telegram. One from BMG and one from Elektra. They sound very different. Ofcourse, they are not exactly 2 of the same CD... or are they?
Wash, Cut, Polish & Demagnetize
As I sat and read through the most recent threads on the "Agon" forum, I noticed a thread regarding "Glossary of Audio Myths". I noticed several comments regarding "greening" and demagnetizing CDs.
Without delving too deeply into the effects of laser light diffraction, deflection, dispersion and reflecting light from adjacent tracks creating "jitter", and to avoid reduntantly examining the fact that the aluminum "wafer" in a CD is not always just aluminum, but in many cases aluminum "alloy", I would like to attempt to dispel a few of these "myths".
Many CD manufacturing facilities use a coating of mold release agents on the manufacturing machinery and on the plastic substrate material in the actual CD to facilitate ease of handling throughout the manufacturing process. Somewhat similar to spraying a cooking pan with "PAM" to reduce sticking. The residual amounts remaining on the CD upon completion of manufacturing should be removed as it will cause minor deflection and loss of focus of the laser beam. Specialty chemicals are available specifically for this purpose. I wash the CDs thoroughly using Dawn dishwashing liquid and very warm water. I cannot confirm that this process is as effective as using the specialty chemicals, but it leaves the CD surface extremely clean and seemingly free from any "oily" feel.
I then cut the edge of the CD using an Audiodesk CD cutter. This process reduces the amount of laser scatter from exiting through the outer edge of the CD and flooding the inside of the CD transport with reflected laser light. By cutting a bevel on the edge of the CD, you actually reduce the edge surface area by which the diffracted laser light can disperse. Some may feel that this a bit excessive, but we must keep in mind that the results of these treatments are cumulative.
The next process involves applying CD "Green" to the beveled edge. The properties of the color value of the Green used in the majority of these coatings tend to absorb any stray laser light. I still, to this day, have not been able to figure out why Green is the color of choice although, I have been told that it is simply the values of each of these colors (Red laser light and Green) that work together in unison to "neutralize" the light. The initial washing of the CD also helps to enhance the adhesion of the green coatings.
Upon allowing the CD green to dry, I then apply CD diamond using 100% cotton balls, and polish using again, cotton balls. CD diamond is an optical enhancer similar to Optrix,
Vivid, etc. and also contains a anti-static component. Most of these "optical enhancers" work by simply filling in microscopic pores in the CD surface permitting a more direct transmission of the laser beam through the plastic substrate material to the actual CD surface.
The last step involves demagnetizing the CD using a Furutech RD-2 CD demagnetizer. CDs, contrary to what most people believe can and will become magnetized. The results are a less black background, a general "haze" and loss of detail. If Cds were made using pure aluminum with NO trace elements, this step might not be required.
The results of all this? Pretty damn amazing. Again, recognizing that the results of all of these steps are cumulative, when all is said and done, the improvement is quite significant. Although these steps may sound somewhat time consuming, each CD actually only takes about three minutes to complete.
I hope I have provided some insight as to "dispelling" some of these myths. I can, and will, stand by this process as time and time again these enhancements have made CDs a lot more listenable. And, I have dropped the jaws of many non-believers after they have heard the actual results.
Any comments regarding this process are welcome. Happy listening.
Without delving too deeply into the effects of laser light diffraction, deflection, dispersion and reflecting light from adjacent tracks creating "jitter", and to avoid reduntantly examining the fact that the aluminum "wafer" in a CD is not always just aluminum, but in many cases aluminum "alloy", I would like to attempt to dispel a few of these "myths".
Many CD manufacturing facilities use a coating of mold release agents on the manufacturing machinery and on the plastic substrate material in the actual CD to facilitate ease of handling throughout the manufacturing process. Somewhat similar to spraying a cooking pan with "PAM" to reduce sticking. The residual amounts remaining on the CD upon completion of manufacturing should be removed as it will cause minor deflection and loss of focus of the laser beam. Specialty chemicals are available specifically for this purpose. I wash the CDs thoroughly using Dawn dishwashing liquid and very warm water. I cannot confirm that this process is as effective as using the specialty chemicals, but it leaves the CD surface extremely clean and seemingly free from any "oily" feel.
I then cut the edge of the CD using an Audiodesk CD cutter. This process reduces the amount of laser scatter from exiting through the outer edge of the CD and flooding the inside of the CD transport with reflected laser light. By cutting a bevel on the edge of the CD, you actually reduce the edge surface area by which the diffracted laser light can disperse. Some may feel that this a bit excessive, but we must keep in mind that the results of these treatments are cumulative.
The next process involves applying CD "Green" to the beveled edge. The properties of the color value of the Green used in the majority of these coatings tend to absorb any stray laser light. I still, to this day, have not been able to figure out why Green is the color of choice although, I have been told that it is simply the values of each of these colors (Red laser light and Green) that work together in unison to "neutralize" the light. The initial washing of the CD also helps to enhance the adhesion of the green coatings.
Upon allowing the CD green to dry, I then apply CD diamond using 100% cotton balls, and polish using again, cotton balls. CD diamond is an optical enhancer similar to Optrix,
Vivid, etc. and also contains a anti-static component. Most of these "optical enhancers" work by simply filling in microscopic pores in the CD surface permitting a more direct transmission of the laser beam through the plastic substrate material to the actual CD surface.
The last step involves demagnetizing the CD using a Furutech RD-2 CD demagnetizer. CDs, contrary to what most people believe can and will become magnetized. The results are a less black background, a general "haze" and loss of detail. If Cds were made using pure aluminum with NO trace elements, this step might not be required.
The results of all this? Pretty damn amazing. Again, recognizing that the results of all of these steps are cumulative, when all is said and done, the improvement is quite significant. Although these steps may sound somewhat time consuming, each CD actually only takes about three minutes to complete.
I hope I have provided some insight as to "dispelling" some of these myths. I can, and will, stand by this process as time and time again these enhancements have made CDs a lot more listenable. And, I have dropped the jaws of many non-believers after they have heard the actual results.
Any comments regarding this process are welcome. Happy listening.
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- 87 posts total
I found this site about how compact discs work that may shed a little light on the topic. |
VIGGEN To effectively decide the effects of these tweaks you must have duplicate Cds, just buy them at the same time from the same store and they will be duplicates......don't mix different labels or editions. MPRIME I was going to mention that Cable Co is large seller of CD lathe and if you are really interested they can tweak 1-2 CDs for you to compare, or may-be even loan out unit from tweak library for small fee. HOWEVER......remeber this tweak cannot be removed and trimmed CDs will not sell on used CD market. |
Sam: I have purchased discs that were markered and / or "cut" from local music shops without even knowing it. That is, until i got them home. Quite honestly, the markered discs bothered me more than the "cut" discs for the above mentioned reasons. Obviously, someone in the Chicagoland area is performing either or both tweaks and those discs are being bought and sold via shops that offer used discs. I also agree with your suggestion of using identical discs. While my Brother and I have quite a few of the same discs, we had a hard time finding discs that actually were identical. Many had different spacing in terms of burned vs unburned areas, etc... Since both discs supposedly contained the same amount of info, one would have to wonder if one version would be easier to read than the other or if different materials were being used to store the data. I know that the BMG's and "store bought" discs supposedly contain the same info bit for bit, none of the BMG's resembled those from the original manufacturer. Sean > |
- 87 posts total