XRCD Technology

The XRCD of Gustav Holts' 'The Planets' with Zubin Mehta directing is by far the best version of this work I have heard, and I own about 5 different versions of this work on CD. In at least this case the XRCD is superior to anything else out there, except perhaps a live concert!

hi smoothjazz:

do you find the highs a bit more emphasized than on the other 5 versions you have auditioned. i own a number of xrcds, including xrcd2s and find that compared to the commercial version, there is a change in frequency response and a feeling that the sound was a touch hardened. such an effect can reveal low-level detail hidden on a commercial recording, but that doesn't mean the xrcd pressing is superior to the commercial pressing, rather it is different.

of course the holst could be an exception. i would like to hear it for my self. i believe i have a version of mehta's performance on a commercial label--don't rember the label.

perhaps you could explain why you prefer the xrcd to the other 5 versions compared to it.

thanks.

The detail is great, but also the pacing and entire performance is very dynamic-first rate. I would describe it as scintillating. As far as other versions, they seem to be less involving, less dynamic (older recording technology?) and in some cases directed intentionally at a slower pace. The Previn and Karajan versions are very good, but the Mehta XRCD is much better.
The same could be said for other classic works; I loved the Leonard Bernstein version of Dvorak's 9th on SACD, and thought it was the best, and regret that I no longer have an SACD player.
I am hoping that high REZ downloads will eventually replace some of these 'best' recordings.
Of course this is subjective too, if you search these works on Amazon, there are many passionate audiophiles that prefer their favorite versions of the classics.

i have three hi rez dvrs, which i received from reference recordings, i listened to them both on my ps audio pwt and pwd and then i substituted the ess sabre dac fro the pwd. the sound was in another class compared to red book.

regrading xrcd, in many cases i found the bass extension and impact lacking, compared to the commercial recordings. there are two london recordings i compared to their xrcd counterparts and on two different systems, my friend and i were disappointed in the xrcd. here's another. the offenbach gaite parisienne is definitely lacking in bass in the xrcd version. the gold version is superior.

i would consider the mehta that smoothjazz likes, but i am concerned about the spectral balance. any comments ?