Speakers that can reveal orchestral instruments' positions


Can you tell the positions of instruments in orchestra from your favorite orchestral music CD/SACD/LP/...?
For example, horns and percussion from the back and strings from the front?
Telling the left and right positions are not that hard, but the front and back? 
If your answer is convincing yes, could you tell me about your speakers/amps/source/cartridge and the recording?
I could feel a little bit of 3D imaging on my Apogee Diva, but not as much as I could when I listen to orchestral music from live concerts. I feel far less from my Harbeth C7es and Tyler Linbrook signature systems. 

ihcho
<<<I feel far less from my Tyler Linbrook signiture's>>> please explain.
Tyler, now defunct, used the famous SEAS Excel drivers in that system, same as my SEAS Thor MTM's
I only listen to all styles of classical and have no issues at all with SEAS voicing CM.
Not sure what you are talking about?
I can say, only i update my preamp and Defy 7, I will hear more sound stage in CM. 
= the potential is there in the SEAS, you just have to upgrade all your components with correct mods. Such as Mundorf caps.
The M caps allow sonics to sparkle.
There are quite a few techs who claim new caps are snakeoil, anda  complete total absolute waste of  money.
I just had to prove them all wrong. 
and I did.
Prove that group witha faulty judgement,,,sure they'll say,,,<< lets look at the specs on a  screen,,,ahhh exactly same specs as the Real caps>>> fact is , a  lab can only tell numbers,,,the nuances ofa  superior cap, can not be measured on a  screen.
Bottom line, you can get a  broader sonic sound stage  on a  speaker with new caps in all your components. 

Mozartfan wrote:

"Tyler, now defunct..."

Tyler Acoustics is still in business. I just exchanged e-mails with Ty Lashbrook less than five minutes ago.

Tyler Acoustics is not only very much still in business, they are among the few high-end home audio companies that are also successful in the professional recording studio market:

http://www.tyleracoustics.com/Mastering_Studios.html

Not many designers have the chops to compete successfully in both markets. Tipping my virtual hat to Ty Lashbrook.

Duke
Both my Wilsons and Vandersteens are champs at imaging, side to side, fore, afte and height.
I just changed to Emerald Physics EP3.8, with concentric mid/tweeters-- the orchestral spatial imaging is very, very good, side to side and in depth; I'm still working on best subwoofer placement for them. Played the EP3.8s with PASS XA25, McIntosh 128, and Akitika G120, and all three of these amps image well with these speakers. Also, with this system DSDs played on an OPPO BDP-205 are so very fine. I expect that some might say that the EP3.8s are bright, but if you can appreciate a great oboe concerto you should try listening on these speakers. 
Big sound labs are very 3 dimentional  for big Loudspeakers as well. As         MBL 101D when setup properly and plenty of quality amplification.