Bose 901


I spent a weekend away listening to these .

What a Moronic review.


http://noaudiophile.com/Bose_901/

ishkabibil

Not to be intentionally contrary, but the $500 I spent in 1971 on a pair of 901’s was the biggest waste of money in my hi-fi life. It didn’t take me long to start hating them, and replaced them soon with a pair of 1001’s from a new company named Infinity. The 1001 was only $139/ea, and was a far superior loudspeaker.

In ’71 I had yet to discover the little underground mag named Stereophile (that transpired the following year), so hadn’t seen Gordon Holt’s panning of the 901 in the mag. Only accurate review of the speaker at the time.

The basic premise of the 901 is fatally flawed: to imitate the ratio of direct vs. reflected sound in concert halls. That idea ignores the fact that recordings made in those halls contain both direct and reflected sound---there is no way for the listener to separate the two. To then duplicate that ratio via the loudspeaker is to double the effect.

And what of recordings NOT made in halls? 89% reflected sound in studio recordings? They sound RIDICULOUS on the 901!

For me, the 901 Bose was a worthwhile way station on the path to high-end.
Interesting review. I could certainly quibble about placement, but he seemed to not have other options. Also, the point of measuring outdoors, what is in effect a quasi-omni-directional design, seems questionable. I do admire and respect the reviewers efforts, if not all his conclusions.
I had a pair of Series IV 901’s in the 70’s. In 2009 I bought a pair of Series VI’s, which I still have, and use in my main two-channel rig. Yes, the 901 is not a perfect design and I would never claim such. But boy, oh boy can they deliver the raw power and scale of live music into a room! I think that considering all the trade-offs and compromises inherent in loudspeaker design, most of us "weight" distinct parameters of sound reproduction differently. If dynamics, scale and space are high on your list, it’s hard to beat the 901’s for the money. True, there’s nothing like them (for better and worse), but man are they a lot of fun to crank! I listened to my remaster copy of Van Halen’s first album this morning. I have the 901’s on 26" stands, 15" out from a short wall in a 15 x 22 x 9 room, and crossed over at 80 Hz to a pair of Velodyne 12" subs sitting in the corners behind the speakers. Cranked up, not to "11", but to around 95dB peaks, the sound is awesome. Visceral and enveloping, just like live music. They may be relics from a bygone era (so am I) but I still love’em.
And I dont even own a pair.  I was able to spend a whole weekend in a house that had them...I listened to CD....Btooth and played all styles.  It was a total joy.  They played anything I thru at them effortlessly with Panache.
Guess it depends on what you’re expecting. The first track on ‘momentary lapse of reason’ the bass line during the rowboat had the furniture in my apartment vibrating! It took speakers matched with components many times the cost to get the bass those puny 4 1/2” drivers put out. Van Halen, bring it. Sure I wasn’t going to focus on the decay of cymbals or listen for the spit traveling down the neck of a sax, but I could enjoy every cd in the rack with those crummy things which at the time was 90% better than the ‘hi end’  speakers I repeatedly replaced them with. One of the few speakers that sounded at home like they did in the store. NOT FOR audiophiles.