I don't think a car analogy is valid here with vintage cartridges. If everything NEW is better by default than no one will be using old speaker drivers,vintage tubes, rare transistors, vintage microphones, reel to reel recorders, vintage turntables and cartridges... some labels can't even make a vinyl record as good as the vintage vinyl.
In many cases it is a regress, not a progress, it's a digital world after all. Not everyone need a phono cartridge like it was in the 70's, not many serious competitors anymore in the game.
But it is true that they can be good or bad, and for the cartridges condition or the damper and stylus tip is very important. I don't have any cartridge in bad condition, i just don't buy them. NOS or Excellent condition only. It's hard to say how many vintage cartridges i tried, maybe over 50. The latest new cartridge i bought was Miyajima Kansui, the rest of the cartridges are all vintage and i can't remember any problem with any sample, except for the damper problem with all my Technics high-end cartridges (205mk3 and mk4, 100mk4 series, several samples) and a few Victor X-1 samples. So 90% of all vintage cartridge i have tried are perfect. 10% are weak, but only specific models from a few manufacturers.
All those Argent cartridges (i have 3 models) track all 4 bands on Hi-Fi Test LP, just like any other vintage cartridges in my collection.
If these two track on Hi-Fi Test LP are Ok for every cartridge:
A6 Bias Setting (300Hz Tone L+R At +12dB)
A7 Bias Setting (300Hz Tone L+R At +14dB)
These two tracks on Hi-Fi Test LP are very difficult to track, only great cartridges can go through (but all my vintage carts can do that):
A8 Bias Setting (300Hz Tone L+R At +16dB)
A9 Bias Setting (300Hz Tone L+R At +18dB)
It's funny, but only NEW cartridges can't track well on those last two bias setting tracks on Hi-Fi Text LP. It was hard for my ex 2 ZYX cartridges, for my ex 2 Ortofon SPU cartridges too.
Actually it's much easier to track well for high compliance MM cartridges.
P.S. I also have Ikeda cartridge (9c III), this one is probably not the best tracker, but his earlier design such as FR-7f and FR-7fz are very nice and sealed suspension never fails, even after 40 years.
When someone trying to offer me a brand new cartridge made with super duper nano technologies for astronomical price i'd rather stick to vintage cartridges i know very well. It's an emotional contact with the music and i'm pretty sure in the golden age of analog technologies serious cartridge designer were capable to reach nirvana. Now in the digital world i'm not sure anyone can offer something better, but if they will not tell us it's better then who will buy it for the asking price ?
In many cases it is a regress, not a progress, it's a digital world after all. Not everyone need a phono cartridge like it was in the 70's, not many serious competitors anymore in the game.
But it is true that they can be good or bad, and for the cartridges condition or the damper and stylus tip is very important. I don't have any cartridge in bad condition, i just don't buy them. NOS or Excellent condition only. It's hard to say how many vintage cartridges i tried, maybe over 50. The latest new cartridge i bought was Miyajima Kansui, the rest of the cartridges are all vintage and i can't remember any problem with any sample, except for the damper problem with all my Technics high-end cartridges (205mk3 and mk4, 100mk4 series, several samples) and a few Victor X-1 samples. So 90% of all vintage cartridge i have tried are perfect. 10% are weak, but only specific models from a few manufacturers.
All those Argent cartridges (i have 3 models) track all 4 bands on Hi-Fi Test LP, just like any other vintage cartridges in my collection.
If these two track on Hi-Fi Test LP are Ok for every cartridge:
A6 Bias Setting (300Hz Tone L+R At +12dB)
A7 Bias Setting (300Hz Tone L+R At +14dB)
These two tracks on Hi-Fi Test LP are very difficult to track, only great cartridges can go through (but all my vintage carts can do that):
A8 Bias Setting (300Hz Tone L+R At +16dB)
A9 Bias Setting (300Hz Tone L+R At +18dB)
It's funny, but only NEW cartridges can't track well on those last two bias setting tracks on Hi-Fi Text LP. It was hard for my ex 2 ZYX cartridges, for my ex 2 Ortofon SPU cartridges too.
Actually it's much easier to track well for high compliance MM cartridges.
P.S. I also have Ikeda cartridge (9c III), this one is probably not the best tracker, but his earlier design such as FR-7f and FR-7fz are very nice and sealed suspension never fails, even after 40 years.
When someone trying to offer me a brand new cartridge made with super duper nano technologies for astronomical price i'd rather stick to vintage cartridges i know very well. It's an emotional contact with the music and i'm pretty sure in the golden age of analog technologies serious cartridge designer were capable to reach nirvana. Now in the digital world i'm not sure anyone can offer something better, but if they will not tell us it's better then who will buy it for the asking price ?