The person who is mention saying Mozart wrote elevator music has never heard the String Quintet, K 516 in G minor, written after his father’s death. And almost certainly not the Requiem that Mozart was writing at the very end of his life. To each his or her own, but there are experiences that go far, far beyond cliches.
And performance is ultimately greater than sound quality as referred to now. A well recorded perfunctory performance will
always be a perfunctory performance. Caruso recorded in 1915 and, say, Louis Armstrong and his hot five and seven recorded around 1927. Toscanini’s Beethoven 7th Symphony from
1936 (actually quite vivid sound in sensitive remastering) and Duke Ellington’s great recordings from 1940 to 1943 for starters.
And performance is ultimately greater than sound quality as referred to now. A well recorded perfunctory performance will
always be a perfunctory performance. Caruso recorded in 1915 and, say, Louis Armstrong and his hot five and seven recorded around 1927. Toscanini’s Beethoven 7th Symphony from
1936 (actually quite vivid sound in sensitive remastering) and Duke Ellington’s great recordings from 1940 to 1943 for starters.