It has to do with the analog section of the D/A, IMHO. Using Ljshape10's example of the Classe DAC-1, this was a $4K DAC, which can be had used for less than $1K. I don't think there is a new DAC that lists for under $1K that can touch the DAC-1 sonically. Because you still have a $4K analog output stage. I think the higher quality componants in the analog output stage outweighs the latest in digital chips improvement.
I also don't think people are investing as much in digital equipment today as they were 5-10 years ago. Today people are re-discovering vinyl, or simply waiting for the newer Hi-Res formats (SACD/DVD-A)to get their acts together. The economy might have also helped to slow the digital rage. I see more and more audiophiles back to single box units. 5-10 years ago, everyone had digital seperates (don't forget the extra jitterbox too).
Digital isn't alone in this regard. Many feel the golden age for tuners was the late 70's into the early 80's. I also beleive that solid state amplification peaked in the late 80's to early 90's. I like the sound of a Levinson 23 better than the 300 or 400 series. I think the KSA-250 was the best sounding amp Krell ever built, and who can forget the S and SA series from Threshold?
It could be romanticism, or it could be that they don't build them like they used to.
Cheers,
John
I also don't think people are investing as much in digital equipment today as they were 5-10 years ago. Today people are re-discovering vinyl, or simply waiting for the newer Hi-Res formats (SACD/DVD-A)to get their acts together. The economy might have also helped to slow the digital rage. I see more and more audiophiles back to single box units. 5-10 years ago, everyone had digital seperates (don't forget the extra jitterbox too).
Digital isn't alone in this regard. Many feel the golden age for tuners was the late 70's into the early 80's. I also beleive that solid state amplification peaked in the late 80's to early 90's. I like the sound of a Levinson 23 better than the 300 or 400 series. I think the KSA-250 was the best sounding amp Krell ever built, and who can forget the S and SA series from Threshold?
It could be romanticism, or it could be that they don't build them like they used to.
Cheers,
John