mike_in_nc
Yes, it is unfortunately complicated. I can easily imagine the dip being used to mask crossover issues in some designs but also to correct recording anomalies where the need arises. Can’t boil it down any further than that.
Anyway, here’s an article by Hugh Robjohns that I thought got closer to unravelling the secrets of analogue warmth than most. Despite his pro digital bias he is able to understand the appeal of analogue.
"In short, enjoyment of an artistic product (be it a sound recording, a photograph, a film or whatever) isn’t necessarily about precision and accuracy: more often, it’s about mood, character and subtle enhancements that make the end result more vivid and interesting than real life."
Perhaps, in short, some might feel that analogue recording allows an chance to restore something of the essence that the very act of recording itself inevitably must lose.
Others will call it distortion.
https://www.soundonsound.com/techniques/analogue-warmth
Yes, it is unfortunately complicated. I can easily imagine the dip being used to mask crossover issues in some designs but also to correct recording anomalies where the need arises. Can’t boil it down any further than that.
Anyway, here’s an article by Hugh Robjohns that I thought got closer to unravelling the secrets of analogue warmth than most. Despite his pro digital bias he is able to understand the appeal of analogue.
"In short, enjoyment of an artistic product (be it a sound recording, a photograph, a film or whatever) isn’t necessarily about precision and accuracy: more often, it’s about mood, character and subtle enhancements that make the end result more vivid and interesting than real life."
Perhaps, in short, some might feel that analogue recording allows an chance to restore something of the essence that the very act of recording itself inevitably must lose.
Others will call it distortion.
https://www.soundonsound.com/techniques/analogue-warmth