Personally, I'd recommend an RTA unit, preferably with on-board PEq.
Adjust the PEq and phase for flat on-axis FR at and around your usual listening position. There may be some variation as you move the mic, but -in my case- there was little since my room is set up for solo listening and "window" is narrow.
Screw around a bit with the PEq bands (i.e. use them as tone controls) and/or placement - changing one variable at a time - and try to note all correlations between audible results and the shape of the RTA's FR output. If you have control of the sub's Q, adjust that to different settings as well.
Eventually, you'll figure out what the best sound "looks" like on the readout, and you'll be able to re-locate the subs and dial in a close replica of your preferred response very quickly. Tweak from there by ear.
For me, the best SQ is yielded by flat (or flat to +/- 35hz with slighly and gently rising output below) with subwoofer Q set for medium damping. This has been pretty much true, regardless of where the subs have been physically placed.
I find the SQ remarkably consistent (and remarkably good) when using my Rythmiks/NHT and Velo SMS-1 when dialed in with this technique, which basically holds on-axis FR constant. I would, however, be the first to acknowledge that, for other listeners, differences may be more audible.
Marty
Adjust the PEq and phase for flat on-axis FR at and around your usual listening position. There may be some variation as you move the mic, but -in my case- there was little since my room is set up for solo listening and "window" is narrow.
Screw around a bit with the PEq bands (i.e. use them as tone controls) and/or placement - changing one variable at a time - and try to note all correlations between audible results and the shape of the RTA's FR output. If you have control of the sub's Q, adjust that to different settings as well.
Eventually, you'll figure out what the best sound "looks" like on the readout, and you'll be able to re-locate the subs and dial in a close replica of your preferred response very quickly. Tweak from there by ear.
For me, the best SQ is yielded by flat (or flat to +/- 35hz with slighly and gently rising output below) with subwoofer Q set for medium damping. This has been pretty much true, regardless of where the subs have been physically placed.
I find the SQ remarkably consistent (and remarkably good) when using my Rythmiks/NHT and Velo SMS-1 when dialed in with this technique, which basically holds on-axis FR constant. I would, however, be the first to acknowledge that, for other listeners, differences may be more audible.
Marty