Alex,
Reb 1208 and I have extensive experience with the DV 50. Some of the strengths of the stock unit (that I really like) are as follows:
- It is warm sounding
- Very detailed.
- Lively, energetic and dynamic sound.
- It is musical (primarily due to the warmth) but could be
more musical.
- Bass slam and depth is very good.
- Great pace, rhythm and timing.
-Piano's (one of my greatest tests for a cdp)sound real,
full and natural. More importantly, the timbre is
correct.
Here are the weakenesses that need to be addressed:
- The presentation of the detail is too forward.
Instruments that should be a foot or two behind the
singer (i.e drums, symbols, etc) share the front of
the stage with the singer and other instruments. In other
words, soundstage layering is not good.
- The above is the reason why the player may
sound "artificial" to you.
- I totally agree with Reb 1208 that the bass is over-
kill. Too much slam that dominates the music. Some times
bass is too full and can sound bloated. The bass actually
needs to be leaner, less forward and more detailed.
- Soundstage could be wider and taller.
- Spacing between instruments could be better. The
soundstage is somewhat "congealed" with instruments too
close together.
- More air.
- Very little if any two or three dimensionality.
You've already stated that you were impressed with the stock bass performance of the DV 50 and have now gotten the 3910 to improve upon it (in terms of magnitude). I am not impressed with bass of the DV 50 for the reasons stated above and if the 3910 does the same with even more slam it is not an improvement for me.
Regarding dimensionality, I don't know if any solid state design can provide dimensionality like tubes.
Alex, please explain how your mods address the weaknesses I've listed above. I'm not interested in more detail (unless its in the bass) as the DV 50 will compete with ANY player in terms of detail.
TBG- I've heard the Exemplar 2900 (not your 3910) and I thought it sounded very good but was somewhat bright. It did have air, good spacing, great detail and a wide soundstage. The soundstage was a bit too forward and again bass detail could be better. However, it defintely sounded better than the DV 50. Alex's units (his old SACD 1000 and
3910) sounded better. Jactoy's Modwright Sony 9000ES also
sounded better.
Alex- To explain what I mean by bass detail, I listen to a lot of jazz with upright acoustic bass. I want to hear the bass overtones, notes between notes, fingers as they pluck across the strings, etc. And I want very little if any "overhang" on bass notes unless it occurs naturally in the recording studio.
Quite frankly, I'm scared to invest in a mod of the DV 50 and then find out these problems still exist. Your comments would be greatly appreciated.
AVGURU
Reb 1208 and I have extensive experience with the DV 50. Some of the strengths of the stock unit (that I really like) are as follows:
- It is warm sounding
- Very detailed.
- Lively, energetic and dynamic sound.
- It is musical (primarily due to the warmth) but could be
more musical.
- Bass slam and depth is very good.
- Great pace, rhythm and timing.
-Piano's (one of my greatest tests for a cdp)sound real,
full and natural. More importantly, the timbre is
correct.
Here are the weakenesses that need to be addressed:
- The presentation of the detail is too forward.
Instruments that should be a foot or two behind the
singer (i.e drums, symbols, etc) share the front of
the stage with the singer and other instruments. In other
words, soundstage layering is not good.
- The above is the reason why the player may
sound "artificial" to you.
- I totally agree with Reb 1208 that the bass is over-
kill. Too much slam that dominates the music. Some times
bass is too full and can sound bloated. The bass actually
needs to be leaner, less forward and more detailed.
- Soundstage could be wider and taller.
- Spacing between instruments could be better. The
soundstage is somewhat "congealed" with instruments too
close together.
- More air.
- Very little if any two or three dimensionality.
You've already stated that you were impressed with the stock bass performance of the DV 50 and have now gotten the 3910 to improve upon it (in terms of magnitude). I am not impressed with bass of the DV 50 for the reasons stated above and if the 3910 does the same with even more slam it is not an improvement for me.
Regarding dimensionality, I don't know if any solid state design can provide dimensionality like tubes.
Alex, please explain how your mods address the weaknesses I've listed above. I'm not interested in more detail (unless its in the bass) as the DV 50 will compete with ANY player in terms of detail.
TBG- I've heard the Exemplar 2900 (not your 3910) and I thought it sounded very good but was somewhat bright. It did have air, good spacing, great detail and a wide soundstage. The soundstage was a bit too forward and again bass detail could be better. However, it defintely sounded better than the DV 50. Alex's units (his old SACD 1000 and
3910) sounded better. Jactoy's Modwright Sony 9000ES also
sounded better.
Alex- To explain what I mean by bass detail, I listen to a lot of jazz with upright acoustic bass. I want to hear the bass overtones, notes between notes, fingers as they pluck across the strings, etc. And I want very little if any "overhang" on bass notes unless it occurs naturally in the recording studio.
Quite frankly, I'm scared to invest in a mod of the DV 50 and then find out these problems still exist. Your comments would be greatly appreciated.
AVGURU