Advise on Long Phono Cable run


Audio dudes

I now have to place my TT avout 5m away from the integrated amp ( Parasound Hint 6)  which has a phonostage

I currently use an MC cart AT33PTG. I might switch to an MM like a Goldring 1042 or AT 540 ML.


Would this be possible? Are there cables that I could use that will not have too much of a negative impact?

MC voltage is so low
MM is sensitive to capacitance.
Would MI be a solution or same issues as MM?

Please advise.
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I need to shift the TT as currently, it is too low and as age catches up, it’s easier to stand than go down on my knees to change or flip a record.
128x128jagjag
Thank you all for the advise. I have to rethink the whole set up.  Houses in Singapore are small and ultra compact. 

I think interconnect cable (or phono cable) within 1.2 m is standard, probably 1.5 max. Very short cables like 60cm can be used too, but sometimes it’s inconvenient. Probably 1m or 1.2m is optimal.

Unbalanced cable must be shorter than 4m max, i would say 3m max.

But balanced cables designed for use on long distance.
This is what professional are using in the studios, on stage etc.
Chakster made a good point. I recommended an MM cartridge, but as he notes, MM cartridges are capacitance sensitive. More so than either MI or MC types. So I agree with his recommendation for an high output MI type cartridge. Second, it goes without saying that you will have to have your cables specially made at that length. Several companies will do that. Among them I recommend AntiCables. In addition, going balanced would have no benefit unless you are running into a true balanced phono stage. A phono stage that just provides an XLR input but is single ended, will not get you all the benefits of a balanced connection. Balanced might be a bit quieter.
I am using vintage Grado XTZ (MI) right now, it’s an old discontinued signature model. Very nice!

But another Induced Magnet (IM) type i can highly recommend is ADC TRX II , here is some basic info from the manual. Look at this Sapphire cantilever with Vital III (PH type LineContact diamond). It was designed by Nakatsuka-San (now ZYX) for ADC in the 80’s. Replacement stylus assembly screwed into cartridge for superb rigidity. Hight compliance.

Long time ago i bought ADC Astrion, also with Sapphire cantilever, i must say the ADC TRX is completely different design from different person, so the performance of the TRX II is much better than older Astrion.


Maybe you can purchase an mc phono preamp with an XLR output (Avid does some good ones), place it close to the turntable and you can run a longer XLR balanced cable to a "standard" line input on your amp.
This would be the least noise prone approach.