Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
Diw, because of the quality of the 2 channel sound. I cannot afford the quality that I have in my two channel system for more channels, especially as the demonstrations that I have heard leave me with no interest. Furthermore, outputs for all of the channels would take too much room within the unit and be too expensive. A moder would go broke with such a unit.
Alex,

Would you please respond to DIW's comments about no upgrade to the multi-channel/video section? Am I correct in assuming that the upgraded power supplies "indirectly" increase the performance of the video? Also, do you not (upon request) offer upgrades to the op amps that are linked to mulit-channel? Can you not also "change out" the cheap single-ended rca connectors that are used for multi-channel?

What else can you do to improve the mulit-channel and/or video performance? In talking to you and Dan Wright I don't believe you have to disable the multi-channel. I know you left them intact in the DV 50 upgrade. What options do offer in regards to multi-channel?

AVGURU
Diw writes:
My problem with all these mods is that they do not upgrade the multichannel portion of the player
I had Ric Schultz modify my Sony XA777ES and discarded multi-channel in the process. I have no interest in that form of sound reproduction. And as Tbg says, there is not much room in some of these units - particularly that Sony.

If the modifier is not interested in surround sound, and you are, perhaps your choice of modifier is wrong.

Regards,
personally, I think the quality of multichannel sound is superior, if identical speakers are used. Just listen to the new Mercury SACD's and compare the 3 channel mix.

I assume you are right that there is no room for 5 channels of tubes , but I always thought a 5 channel ss mod would make sense.
TBG, the great value of the shootouts is not so much in a hypothetical consensuality of the results, but in the activity itself, and the miriad of observations made during it. I find it perfectly acceptable that after the current round the team seems to be split over ModWright and APL, and that the performance of X-01 still ominously looms, with hypothesized superiority, even if not compared directly. We all accept the fact that we may be looking for subtly different things, as Steve Milin and Bonn can confirm, and as I pointed out in my pointer to the other X-01 thread. Nothing wrong with that: finding differnet truths from the same experience. Only if you were a logician you would find this objectionable, as in "ex falso sequitur quodlibet". Or in other words, one can reach any conclusions from false premises. But we are not logicians around here, or at least, I am not while I am listening to music. Apologies, by the way, I am a Texan as well, as I have resided here 6 wonderful years, minus 6 awful months of August, needless to say!