Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
Hey Brian,

The 29th is not a good day for 1Markr, Jactoy or myself. Since having Bon's modded Sony 9000ES and 1Markr's new Wright modded Sony 999ES are critical to the shootout I suggest we plan another weekend. The person bringing the Exemplar 2900 also won't be available. And I won't have access to the handful of stock players that I wanted to bring on the 29th.

I suggest we wait until everyone's schedule permits.

AVGURU
OK, then will all concerned please propose the date. The following Saturday, Feb. 5th? Let's get the date reserved as soon as possible, as I have some other commitments.

All planning to attend, please RSVP because space is limited and be sure to indicate afternoon or evening, as we probably need to have two sessions. If you're bringing a player, please let me know well in advance, including details on its features. Since there will be quite a few players involved in the comparison, a little planning can go a long way. Anyone wanting to bring their player over a day or three early to plug in and warm up is welcome to do so.

I can be reached by email through this site or by phone at , preferably evenings and weekends.

Thanks.

Brian
For some unexplained reason my phone number got deleted from my post. It is 847-382-8433.
My advice is to have a session next weekend and allow any that can make it to come by, relax, and have a listen. If they are interested in hearing other players then they can come by another time when another particular player will be shown. I think you are going to end without good conclusions because those A/B/C/D, etc comparisons when switching players with many people changing seats ( and drinking beer) all the time is not conducive to a fruitfully effective audition. It's not much different than being in your local Circuit City listening room while the salesman is punching those switching boxes every minute or two. While some may be able to pick their sacred cow from an audition like this, most can not.

Anyway, looking forward to reading comments whenever the audition takes place.
If there's beer, I'm coming. Seriously, I will drive the 5 hours from Sandusky, OH and bring the modified DV-50. Figure out a final date and post.
Tom Roberts