Esoteric DV-50: Any cdp's Significantly better?


Is there are anyone out there who has compared the Esoteric DV-50 to a number of dedicated red book only players (or other universal's) and found one that is SIGNIFICANTLY better?

I stress significantly because in my humble opinion the redbook playback (if comparison unit is just a cd cd player only )must be significantly better to justify losing DVD-A, SACD and DVD-Video capability.

I keep hearing there are better one box solutions and being a die hard 2 channel fan I would sell my DV-50 if I found a player in the same price range that sounds significantly better. But every time I do an AB comparision to other well respected units the DV-50 has slayed each and every one.

So far, it has eaten the lunch of the Classe CDP-10, Ayre CX-7, Linn Ikemi, Cairn Fog Vers. 2, Cary 306/300, Arcam DV 27A and CD 33T, Myryad CD 600, etc. It even betters a Sony SCD 777ES/MF Tri-Vista 21 transport/dac combo that I previously owned. I'm only comparing the DV-50 to single box cd or universal players, but I just wanted to mention the Sony/MF combo. I'm sure there are some dac/transport combo's that will handily beat the DV 50.

Some may say that the DV 50 should beat all the above because the of price point ($5,500 vs. average price of $3,000 for the above players). But I disagree since conventional wisdom says that stand alone players (especially with the pedigree of those mentioned above) should produce better redbook than a universal player trying to be a jack of all trades. Only the DV 27A does video plus audio. By the way, I was very impressed with the 27A as just a cd player. Of all the above I would say the Ayre was the best.

Next on my list is the Electrocompaniet EMC 1UP and the Resolution Audio Opus 21. However, I must tell you I am really impressed with the DV 50 and all the great reviews are absolutely true. I've noticed that many people who are using it or comparing to other players are using the RCA analog outs instead of the balanced outs. There is a significant improvement in sound if you use the balanced outs and I'm only interested in hearing comments from people who have compared it against other players using the balanced outs on the DV-50.

My system components are as follows:

B&W N803's speakers & HTM-1 center
Cary Cinema 5 (5 x 200) amp
Anthem D1 Statement pre/pro
Esoteric DV 50
Acoustic Zen Satori Shotgun speaker wire
Nirvana SX balanced interconnects from DV-50 to Anthem
Acoustic Zen Matrix reference II interconnects from D1 to Cary
No after market power cords or isolation equipment

My system sounds great! Those who comment please make sure to specify what specific improvements you heard over the DV 50 and what cdp were you comparing it against.

AVGURU
avguru
Meitner: A word of caution. I believe AVGURU et al already know this but I have quite a few comments on Meitner gear in audiogon which are somewhat misguided. If you are going to test the gear make absolutely sure you are using the proprietarty optical link btwn the transport and DAC6 or DCC2. Only then do you get the full measure of performance as one of the keys to Meitner gear is that ir upconverts PCM to DSD before analogue conversion. Without the optical link, u don't get this and end up regular PCM to analogue conversion.
Henryhk, DAC6e and DCC2 are converting to DSD even the PCM from another transport. It is not nesessary to use the EMM transport in order to have DSD converted PCM. What really matters is the re-clocking of the EMM transport which can not be done using non EMM transport and that is where the big diffrence comes from. Both DAC6 and DCC2 are using DSD1700 DACs which are the Burr-Brown top notch DSD DACs. These do not support PCM.

Regards,
Alex
My understanding was that the Superclock 3 has a greater effect on the FIR filter which upsamples to 352.8khz. There are two other filter settings on the DV-50, RDOT @ 705.60khz and RDOT + FIR operating at 1411.2khz. These are all selected via a switch on the front panel of the DV-50. I have heard improvement on all of the settings, but far less on the RDOT and RDOT + FIR. Before the upgrade, I was using the FIR filter exclusively. If I'm not mistaken, the newer Esoterics UX-1/X-01 use the FIR circuit and have abandoned the other two.
Will there be an EMM DCC2/CDSD at the shoot-out? I only read of a DAC6/CDSD going there, but I could've missed it in 706 posts:). Isn't there a big difference in sound?
very much doubt it sprinbok 10: the only diff would really be Dcc2's preamp function vs using another sep pre-amp: which can be avoided as DCC2 allows u to bypass the preamp functionality.