Hear my Cartridges....šŸŽ¶


Many Forums have a 'Show your Turntables' Thread or 'Show your Cartridges' Thread but that's just 'eye-candy'.... These days, it's possible to see and HEAR your turntables/arms and cartridges via YouTube videos.
Peter Breuninger does it on his AV Showrooms Site and Michael Fremer does it with high-res digital files made from his analogue front ends.
Now Fremer claims that the 'sound' on his high-res digital files captures the complex, ephemeral nuances and differences that he hears directly from the analogue equipment in his room.
That may well be....when he plays it through the rest of his high-end setup šŸ˜Ž
But when I play his files through my humble iMac speakers or even worse.....my iPad speakers.....they sound no more convincing than the YouTube videos produced by Breuninger.
Of course YouTube videos struggle to capture 'soundstage' (side to side and front to back) and obviously can't reproduce the effects of the lowest octaves out of subwoofers.....but.....they can sometimes give a reasonably accurate IMPRESSION of the overall sound of a system.

With that in mind.....see if any of you can distinguish the differences between some of my vintage (and modern) cartridges.
VICTOR X1
This cartridge is the pinnacle of the Victor MM designs and has a Shibata stylus on a beryllium cantilever. Almost impossible to find these days with its original Victor stylus assembly but if you are lucky enough to do so.....be prepared to pay over US$1000.....šŸ¤Ŗ
VICTOR 4MD-X1
This cartridge is down the ladder from the X1 but still has a Shibata stylus (don't know if the cantilever is beryllium?)
This cartridge was designed for 4-Channel reproduction and so has a wide frequency response 10Hz-60KHz.
Easier to find than the X1 but a lot cheaper (I got this one for US$130).
AUDIO TECHNICA AT ML180 OCC
Top of the line MM cartridge from Audio Technica with Microline Stylus on Gold-Plated Boron Tube cantilever.
Expensive if you can find one....think US$1000.

I will be interested if people can hear any differences in these three vintage MM cartridges....
Then I might post some vintage MMs against vintage and MODERN LOMC cartridges.....šŸ¤—
128x128halcro
Aah, much better! Thank you. And, thank you for your concern. The pandemic has ground all live performance to a halt and, unfortunately, Iā€™m afraid that my industry will be one of the last to return to "normal". My family and I are fine in all respects though and we left NYC for our place in upstate NY where we are with nature and no neighbors nearby. Iā€™m enjoying having some down time; wish circumstances were different.

I donā€™t have my Stax headphone ("earspeakers" šŸ˜) setup up here, but do have a system more modest than my all tube/electrostatics system downstate. Meitner ss amplification (PA6i/MTR101 monos), Totem floorstanders, REL sub and Nordost cabling. I listened on that system as well as Panasonic earbuds with iPad as source for both. My impressions were consistent both ways.

As expected, great sound from both cartridges. However, my preference is not for the Victor mm. Differences were all relatively subtle, but obvious and go to my personal sonic priorities of truthfulness in timbre and tonality and clarity of musical interaction above all else.

The sound with the Victor mm had the advantage of the dd tableā€™s rock solid speed stability. The Ravenā€™s is very good, but a very subtle pitch waver could still be heard on sustained piano notes; and would probably not be noticed if not comparing to the Victor. Interestingly, this seemed less obvious than when the Raven was running fast. Again, very subtle. That was about the only area in which, for me, the sound with the Victor mm was superior.

In comparison to the Palladian the Victor sounds a little thick and slightly covered sounding in the highs. This causes the pianoā€™s left hand low register passages to sound a little muddled compared to the Palladianā€™s ability to let one hear the vibrating piano stings more clearly and with better defined pitch (1:15+/-). The end result is that more subtle musical detail and interaction is heard with the Palladian. The Palladian reveals more of the sound of rosin on string than the Victor does and the timbre is more consistent from low register to high register. With the Victor, violin sounds a little covered as does the piano which sounds as if the lid is closed as opposed to open as with the Palladian. I suspect that in the context of a system voiced to the hot side of neutral the Palladian could make the violin sound a little steely. An interesting effect which I think is the result of the extra thickness in the sound of the Victor is that when the violin plays forte, its image in the soundstage gets larger causing the spatial relationship between violin and piano to change: the violin ends up sounding much larger than the piano. The Palladian doesnā€™t exibit this and the relationship remains closer to what one years when the music is not as loud. At first I thought that the two selections were not level matched with the Victor being slightly louder, but this may be the result of the previous observation.

Surprisingly, a lot of the above was even more obvious in the Armatrading selection (loved it, btw).

Overall, the vintage Victor mm sounds....a little vintage. The Palladian doesnā€™t sound as romantic and as spatially enveloping as the Victor does; but, for me, the sounds it makes sound less like a recording. A sound that is a little cleaner overall while the Victor seems to have a subtle texture in the "air" around the instruments. Needless to say, it is incredible that a vintage cartridge can sound so good for so much less money than something like the Palladian; and, of course, all this based on my personal preferences only.

As always, a treat to have a chance to hear and compare such great cartridges.

Thanks and regards.











Hi Frogman,
Glad to hear you're all ok and taking the opportunity to 'chill out' šŸ™ƒšŸ„ƒ
The extra time you now have allows me the benefit of your latest (and even more detailed) cartridge comparisons....
I am grateful, as always...for your observationsĀ with which I agreeĀ  entirely šŸ˜ƒ
As you indicate...the differences between the $10,000 Palladian LOMC and the 36 year old Victor X-1II MM are very subtle, and in the absence of these instantly available comparisons.....I'm just as happy listening to the Victor šŸ¤—

One thing I'd like to add (because you continually point it out but it can be often forgotten)......the Palladian is an incredible cartridge.
Certainly the best currently available phono cartridge I have heard (excepting the DLR)....
It demonstrates to me, that the humble aluminium cantilever (albeit a specific alloy thereof)....is as equally adept as even the most exotic materials like Beryllium, Ruby or Diamond.
It's all in the understanding and execution of the cartridge designer, and it's no surprise that Dietrich Brakemeier has chosen it as his preferred material given his long history with, and love of....the Ikeda-designed Fidelity Research FR-7 Series of cartridges.

And whilst on the subject of cantilever materials.....after owning close to 100 different cartridges of all types and brands, I can say that to my ears....Boron Cantilevers are to cartridges, what Kryptonite is to Superman šŸ¤®
There is not a single cartridge with Boron Cantilever I have heard, do justice to the 'soul' of MUSIC as I know and love it....
Even when the designers try to mitigate the weaknesses by GOLD-PLATING the Boron. It's like putting lipstick on a pig šŸ–
I'm hoping to find an AT-ML180/OCC with its original Beryllium choice for cantilever šŸ§Ā 
The ONLY Boron Cantilever I can live with is that of the Jico SASĀ although I prefer it with their Sapphire or Ruby.
But that's my personal preference based on my personal experiences.
As always YMMV...šŸ˜

Thank you again Frogman...
Keep well and safe.
Hi Frogman,
Seeing that you're 'captive' and have 'Time on you Hands' so to speak šŸ¤—......I wonder if you could do me a favour....?

About 8 Posts up from here.....I posted recordings of a 1ST GENERATION YouTube file just like all the ones contained in this Thread and then posted a comparison 2ND GENERATION recording of the 1ST recording being played back through my System.
As expected...there are losses which are obvious, but I wondered if you could, in your inimitable 'Golden-Eared' way....describe the losses as YOU hear them for they may inform us of the 'degree' of fidelity YouTube videos provide?

Hope you can Frogman..šŸ¤Ŗ
Regards
@frogmanĀ 
Iā€™ll read through tomorrow, you probably already stated this, but what arm did you use to compare these cartridges?Ā Steve.