Hi Frogman,
Glad to hear you're all ok and taking the opportunity to 'chill out' šš„
The extra time you now have allows me the benefit of your latest (and even more detailed) cartridge comparisons....
I am grateful, as always...for your observationsĀ with which I agreeĀ entirely š
As you indicate...the differences between the $10,000 Palladian LOMC and the 36 year old Victor X-1II MM are very subtle, and in the absence of these instantly available comparisons.....I'm just as happy listening to the Victor š¤
One thing I'd like to add (because you continually point it out but it can be often forgotten)......the Palladian is an incredible cartridge.
Certainly the best currently available phono cartridge I have heard (excepting the DLR)....
It demonstrates to me, that the humble aluminium cantilever (albeit a specific alloy thereof)....is as equally adept as even the most exotic materials like Beryllium, Ruby or Diamond.
It's all in the understanding and execution of the cartridge designer, and it's no surprise that Dietrich Brakemeier has chosen it as his preferred material given his long history with, and love of....the Ikeda-designed Fidelity Research FR-7 Series of cartridges.
And whilst on the subject of cantilever materials.....after owning close to 100 different cartridges of all types and brands, I can say that to my ears....Boron Cantilevers are to cartridges, what Kryptonite is to Superman š¤®
There is not a single cartridge with Boron Cantilever I have heard, do justice to the 'soul' of MUSIC as I know and love it....
Even when the designers try to mitigate the weaknesses by
GOLD-PLATING the Boron. It's like putting lipstick on a pig š
I'm hoping to find an AT-ML180/OCC with its original Beryllium choice for cantilever š§Ā
The ONLY Boron Cantilever I can live with is that of the
Jico SASĀ although I prefer it with their
Sapphire or Ruby.
But that's my personal preference based on my personal experiences.
As always YMMV...š
Thank you again Frogman...
Keep well and safe.