Break in time that extends to months or maybe even years!!


On another thread, we have a well known and well respected piece of gear ( and great sounding too, IME) that according to the member who is reviewing it, needs in excess of 1000 hours to fully break in!! 

While we have all heard of gear that needs immense amounts of 'break in' time to sound its best, usually gear that involves teflon caps, I question whether this very long break in time is the job for the consumer? Is it reasonable for a manufacturer of audio gear to expect the consumer to receive sub-par performance from his purchase for potentially several months ( years?) before the true sound of the gear in question can be enjoyed? Or, is it ( or should it be) perhaps the job of the manufacturer of this gear ( usually not low priced) to actually accomplish the 'break in' before releasing it from the factory? Thoughts...
128x128daveyf
G. Thank you for explaining in detail your reviewing protocol.

I think what you stated makes a lot of sense, and I suspect that there are a lot of professional reviewers who do NOT go to such lengths...

As to your thought about breaking in a mono block in a separate timeline, to that I would say...no. I think the result of what you suggest would be ’flawed’ at best.

Hello @DaveyF, you are correct, I would not want ever to evaluate a strict monoblock amp by breaking-in each chassis on split timelines... Evaluating mono operation chassis by chassis is a pointless exercise.

 

The Rowland M535 I was talking about is instead a bridgeable pair... In that a single M535 chassis can be deployed as a stereo amp, or two of them can be advantageously used in bridged mode as a mono pair.

 

When I received the M535 pair I deployed them as a bridged/m mono pair from the get go, and crossed sonic/musical stabilization around the 800 hours mark

 

What I should have done instead is:

 

Break-in the bridged pair for the first 24 or 48 hours.

* Split the pair; put chassis 1 aside; reconfigure chassis 1 and 2 for stereo operation and continue break-in of chassis 2.

 

At some fixed checkpoints, e.g. 100 hours mark, 200 hours, 350 hours, 500 hours, 650 hours, and 800 hours mark, compare the stereo performance of chassis 2 with chassis 1 which would have been still a juvenile. Any differences? Document each checkpoint with copious notes.

 

At the end, set aside chassis 2, and complete break-in of chassis 1 in stereo mode to 800 hours.

 

Reconfigure the two units for bridged operation. Reconnect the whole and play for a few days. Take notes and document tonal/resolution/etc... differences of bridged pair from single chassis in stereo mode.

 

You still with me after all this time? No worries, the fun is not over...

 

Power down and disconnect from the wall outlet. Disconnect speaker wires from the bridged output terminal of each chassis. Slip the optional external networks onto the mono terminals of each unit. Reconnect speaker wires. Plug the units into the AC, and play music.... You might notice a further positive delta, which to my experience continued to open up further, plateauing after about 100 hours.

 

BTW, the slip-on networks are free for the asking from the factory... Yes, I know, it would be nice if they were inside the machines... No, not possible, because the designer thought of enhancement about one year after release... No he could not retrofit the design, would have required a semimajor chassis machining / board / wiring change.

 

PS, Do not slip the networks on a M535 unit in stereo mode, nor try them on any device that is not an M535... You would slag the device with a nice Pop! Possible sparkles, pretty curls of blue smoke, and cute scent of singed electronics... And you'd void any warranty to boot. Yes, Rowland includes a card warning against improper networks use with these add-ons.

Saluti, G.


G, Now I see what you are getting at with the stereo amps bridged for mono. That would have been an interesting experiment. 
Meanwhile, do post back in your thread when you have had a chance to AB vs the 925's.

Hello Davey… Sure, the next phase of the Rowland Daemon evaluation protocol will come soon.

 

It will consist of Daemon’s DAC + preamplifier subsystems feeding into the Rowland M925 monoblocks using Cardas Clear Reflection XLR balanced ICs.

 

I conjecture that having rested unplugged for about one month and a half, M925 and Cardas ICs might come back to full potential in a couple of days of grinding a signal.

 

Conversely, this will be the first time I exercise the balanced XLR outputs of Daemon’s linestage subsection.  Thus, I have no idea whether or not these outputs will show any signs of needing any additional dedicated burn-in time…

 

I’ll scribble soon again about my project's goings on at:

 

https://forum.audiogon.com/discussions/jeff-rowland-daemon-reviewing-the-jrdg-superintegrated-flagsh...  


 

Regards, Guido



I'm still waiting for my RCA 19inch TV to break in. For some reason the picture still looks grayish, very drab colors. I'll give it to 2025 before I complain.