What's your process for comparing new gear, cables, etc.?

Cool, douglas, thanks for the props!

I’m looking forward to it in a geeky kind of way. Obviously I’m using pretty low budget stuff here with my three alternate cable sets, but it’ll still be useful in evaluating some potential quality differences over an order of magnitude cost spectrum (from $60 to about $600).

Perhaps as I go along this journey I’ll expand it upward if funds allow.

And my secondary system should be resolving enough to note the differences:
Spendor D1 mini monitors
Rel R-328 sub
Cambridge Audio Edge W power amp
Cambridge Audio Azur 851n streamer/dac/pre
Audioquest Powerquest 3 conditioner.

Didn’t mention it but the baseline cable set chosen for the system are Signal MagicPower power cables to CA’s and Rel, with Signal subwoofer Neutrik cable from amp to Rel. AQ Rocket 33 speaker cables and Red River XLR interconnects (well I guess here I am mixing brands but keeping power- and signal-carrying brands constant at least).

mijostyn, trust me, I've seen your skepticism here many of times, and it means nothing to me. When I work with sets of cables weekly, no skeptic's opinion matters. I can tune rigs with just one or two power cords. I regularly, at least a couple times each month, change systems entirely using cables. So, does your, or any other skeptic's opinion matter to me? No, not in the least.

Further, I put my ears and the cables to the test in my review of the Audio by Van Alstine ABX Comparator, and I did far better than 50% at selection of cables. So, I also have ABX experience that confirms what I'm hearing. It confirmed what is obvious to people who bother to actually work with cables.

I find chintzy people cover their chintziness by trying to cast aspersion upon others who use expensive cables. Maybe that doesn't fit you; maybe it does. Do I really care? No. :)

For me it is relatively easy.  I'm usually considering replacing one component at a time.  I've been fortunate that I have established positive relationships with a few great dealers over the years and they would let me take home equipment for a week or so to listen in my own home.  Of course they would take my credit card information down just in case I didn't return it (never) or if I decided to purchase, so I didn't have to come back down to San Diego. 

Then, I would establish the listening level using my measuring equipmtn and my many Stereophile test cds.  Then, listen to my favorite music on the existing system at the level I'm used to, match levels for the new piece I'm  auditioning and listen again to the same music.  Then, I would go back and forth to determine what equipment sounds like vs  the original piece.

differences in loudness/volume levels can make a false impression, which is why matching levels to listen matters greatly.

Another thing that is really important is to resist the urge to change more than one piece at a time while doing your tests.  it is impossible to know what exactly is making the change if you change more than one piece at a time.

Listening in a store is totally different. Yes, you may hear differences in your favorite music, however, there is no way you can tell what piece(s) are making that change, and if you purchase and get it home and it doesn't perform as well as you heard in the store, you get frustrated or angry.

A/B comparing equipment in your home on your existing system can be not only fun, but revealing.  Even A/B comparing equipment in stores, swapping only one piece can reveal much also.  this is exactly why certain manufacturers do not allow their products to be compared with other products in stores.  

I hope this helps.

enjoy and stay safe,

Great music even poorly recorded should move ya, but the stuff mixed and neutered for AM radio in cars is a PITA... the Joe Jackson remasters on Intervention Records ( Shane the founder and an acquaintance knows his way round good sound as a veteran of both Audioquest and Vandersteen) are really fantastic and IMO warrant purchase. I am an advocate for tone controls and more ( stereo/mono blend, phase, etc 
see Cello Pallete preamp for an idea and this is also a value added feature of Mc preamps... again if it done right ) to tweak a marginal recording

have fun