Soundsmith - Thank you to everyone.



Beautiful

 

Too beautiful to go back to sleep

The morning sprite before the sun

black silhouetted trees that edge the world

respeak stillness as night’s undone

 

in quiescent twilight day is birthed

So perfect in its offering

infinite outcomes by love conceived

Immaculately separate from our suffering

 

To taste the dew that’s offered up

One would have to sacrifice

The comfort of one’s darkened view

The tradeoff believed that will suffice

 

So it’s a crow that breaks the dawn

Unravels peace that must unwind

And signals end to mornings birth

To usher deeds of manunkind

 

Too beautiful to be believed

timeless in its continuing

Miraculous to be conceived

So fragile in its offering

 

 

Peter Ledermann


retipper
Suspensions tended to fail with long term age. They WERE great carts.

Indeed, depends on environment/storage, i am not afraid to try and after trying as much as possible NOS Stanton samples i’ve never seen one with softened suspension like those notorious Technics mk3 and mk4 low riders from the 70’s with softened suspension that can’t hold the cartridge and can’t resist even 1.25g tracking force. I think softened suspension is the biggest problem and material that Technics used was bad choise. But Stanton and Pickering choosed the right one, well maybe compliance is not that high anymore (it was 30cu), but the damper is definitely not bad, but more important the sound is so silky smooth and so pleasant, especially this one from early 90’s Walter O. Stanton Signature Collector’s Series 100 with their best Stereohedron II profile. The ONLY model from Stanton with Sapphire Coated Aluminum Cantilever. Actually Stanton made so many models and styli for all formats (stereo, mono, 78), but the cheap models are bonded. What a great brand is was until Walter sold it. Reading this old Stanton Product Catalog from the golden age of analog is a pleasure.

It’s amazing that in the late 1940’s Mr. Stanton’s slide-in stylus made it possible for users to replace a needle assembly when it wore out, instead of having to send it back to the factory.

He ran both of his companies until retiring in 1998, but Mr.Pickering wasn’t happy about it until his death, even dying in his chair Pickering mentioned Stanton in M.Fremer interview. However, even after Stanton bought and run both companies he did not shut down Pickering brand, here is the latest from the mid 90’s. It’s a strange story that identical cartridges have been made under two different brands by the same factory, the different was the design only.

Walter O. Stanton was Norman C. Pickering’s plant manager. In 1950, Walter Stanton bought Pickering & Company, the audio component manufacturer that first sold his patented stylus.

Here is another forgotten video interview with Norman Pickering.
And one mode video with him. Very interesting!

My favorite comment was from Walter Stanton, who during a large meeting with sales reps, was asked "Why do the diamond styli cost so much?"

Walter responded properly.

"DO YOU KNOW HOW MANY OF THEM WE DROP?"
Peter Ledermann

LOL

Reading some fact about Walter Stanton i found this:

"Mr. Stanton was known for holding outings on his boat near his longtime home in Laurel Hollow, N.Y., and playing jokes on employees."


BTW (since you’re all from NY area): Grado is another very old NYC family business, a person who invented stereo MC decided to go on with MI only :)) Here is a video tour. Joseph Grado Signature XTZ (from the 80’s) still my favorite MI. Its Special twin-tip Grado nude stylus still available from Grado. 

Peter,

I own a Sussurro MKII and it is the best sounding cartridge I've owned.

Thank you for all you do.

Steve
Peter, this has become a wide ranging question and answer process so I hope you will field another;
You build and sell some very expensive and complicated cartridge designs and yet your phono stage designs are relatively simple and inexpensive. Can you explain why? My guess would be that at the end of the day, you don’t have the resources to compete with the manufacturers of top-tier phono stages but maybe your answer is totally different.
Also, and I must confess to being a bit apprehensive about even bringing this up, but your remark;
Maybe some people have not looked hard at my last name. Ledermann. My parents were holocaust survivors.
confuses me. I am Jewish. I am 60. There is nothing in your name that would cause me for a second to suspect your parents were holocaust survivors. You have a German-sounding last name and your first name, I don’t need to tell you, is not one common to us Jews :-) Care to elaborate how or why your parents were gathered up to the camps and how you ended up with the name of Peter?
Also, a perhaps-amusing aside about Mr. Van den Hul. I met him at Axpona of 2019. I bought one of his Crimson Strads from one of his distributors and he signed my box and he happily posed for photos with me looking proud and happy to have one of his better cartridges. I was hanging around in the room he helped sponsor and sitting next to him and he looked at me at some point and asked "so what kind of name is Tallan?". I told him it was Russian (true) but I couldn’t help wondering what prompted his question.

The ox

I love you, pious ox; and mild a feeling
Of vigor and peace to the heart infuse me,
Or that solemn as a monument
You look at the free and fruitful fields,

0 that at the yoke bowing happily
The agil opra de l’uom grave seconds:
He urges you and pricks you, and you with the slow
Giro de ’patient eyes answer.

From the broad wet and black nostril
Smoke your spirit, and like a happy hymn
The bellowing in the serene air is lost;

And of the serious glaucous eye within the austere
Sweetness is reflected broad and quiet
The divine of the green silence plan.