I’m having a significant issue with stereophile and absolute sound in regards to there reviews. I’ve listen to three speakers that are mediocre at best but are getting very good reviews in Publications. My experience: I owned a premier high-end audio store In the late 80s Representing products including Audio Research (delivered by Bill Johnson himself- plane), Vandersteen, Conrad Johnson, Rodgers, Quad, Linn ,etc.
Additionally from the experience gained from owning the store for 10 years, I listen to my father a Juilliard trained Jazz pianist practicing on his Steinway grand in our living room almost every day for years. I also played jazz guitar for 10 years and know something about how musical instruments sound. When I read rave reviews from those magazines on products like emerald physics, LSA and Goldenear triton loudspeakers, I question the motives of these publications, I think these reviews are based on financial or personal relationships with these vendors rather then the sonic attributes of these products. (Sorry for any typos I use speech recognition on my iPad)
Additionally from the experience gained from owning the store for 10 years, I listen to my father a Juilliard trained Jazz pianist practicing on his Steinway grand in our living room almost every day for years. I also played jazz guitar for 10 years and know something about how musical instruments sound. When I read rave reviews from those magazines on products like emerald physics, LSA and Goldenear triton loudspeakers, I question the motives of these publications, I think these reviews are based on financial or personal relationships with these vendors rather then the sonic attributes of these products. (Sorry for any typos I use speech recognition on my iPad)