The quest for sound vs. music


 The quest for perfect sound Is so voracious that it devours the enjoyment of music.  
After you’ve reached a point where you can enjoy music on your system, no more tweaks are necessary. Any further improvements are superfluous.  The problem Is, if Hifi is your hobby you want to actively involve yourself in it.  You can’t sit back and leave it alone.  If you stop twiddling with it, it ceases to be an active hobby. That’s where the contradiction is.  The enjoyment of music ceases to be the goal.  The “hobby” predominates.
If you can listen for the music, everything falls into place.  The work you’ve done assembling your system has paid off and you can revel in how beautiful the music is.

But, your hobby is over.
rvpiano
Around 30 years ago, I bought a Pioneer direct drive tt. Later on I met a guy who introduced me to the (high end). There was at that time an importer in California called Japanese Stereo. I bought my first cart from them. It was a Denon 103, for $55.00, half the retail elsewhere. When I installed it, it was a revelation! Then I discovered MFSL. I bought my first from them, Led Zeppelin. WOW! I was hooked! Then I knew how much a quality record could enhance a listening experience. BTW, back then, MFSL, single lps were $12.99.

I know exactly what ignited my initial lust for a better hi-fi: I heard an ESL for the first time (though it was only a tweeter: the three RTR’s in the ESS Transtatic). The ESL transparency revealed so much more of the music that was on my LP’s, making the music more emotionally and intellectually engaging, moving---satisfying. Once you’ve experienced that, you want to do everything you can to remove as much of the veil between you and the music as possible. THAT has always been my goal, though great sound is thrilling in it’s own right, especially soundstage and deep bass!

Sometimes it feels more like a curse: unlike civilians, an audiophile can’t separate the sound of music from the music itself. But while all music is sound, not all sound is music. The writing of Art Dudley introduced me to the idea of listening for the musical character of a hi-fi component, not merely it’s sonic one: how a component can effect the music itself, apart from "the sound" of the music.

J. Gordon Holt wrote about hi-fi as sort of the sonic equivalent of photography. Yes, musical reproduction and photography share many similarities; but photography is static, while music has it’s temporal component. Gordon’s number one hi-fi priority was getting the instrumental and vocal timbres accurate: the lack of coloration (as in getting color temperature correct in photography). His second was that of transparency (resolution in photography). Art’s priority was getting the temporal component of music---it’s timing---correct. To him, everything else was secondary.

Art faulted Gordon for insisting that his priorities were the "correct" ones, the one’s that define hi-fi. Art argued that though important, lack of coloration is but one aspect of high quality music reproduction, and not necessarily the most important. And that a components abilities at reproducing musical timing also greatly effected one's perception of the music being reproduced, and in a more profound way that the "mere" matters of lack of coloration and transparency. I had acquired my hi-fi wisdom from the writings of Gordon, but Art changed my way of thinking. And my appreciation of reproduced music is the better for it.

@rvpiano is right.  If you're on this forum, you're very likely invested in both the gear and the music.  The proportion in investment (emotional, but I suppose also financial) between the two will vary with each one of us, AND it will vary in a given individual over time.  So most generalities are off.  If you like new or different gear, and surely most of us do, then there will be an endorphin high when a piece arrives.  Most of us can't indulge that craving too frequently.  While also enjoying the music, there's also an acquisitive/collecting side to that too.  Who hasn't also got a high from finding a long-sought recording or scoring a rare disc of some sort.  In other words, it's complicated.