Hi jjss.
Was just doing a comparison of Anne Bisson’s all analog Direct to Disk “Four Seasons in Jazz” record (If you have a good vinyl rig you need to buy this album. Limited run of 3000 and getting close to the end—can buy direct from her website) vs Tidal redbook on my Terminator.
I’m using a Rega RP10 with Aphelion MC cart and LKV phono section. All playing through ML523 pre and 536 monos feeding 802D3s. They compare favorably with an edge to the Termi. Probably the last descriptor I would use would be “bright/less weight”.(I used to use an Oppo 205. That’s exactly how I would describe it, bright/less weight.)
Like most equipment, Terminators do have their critics, but I’ve never seen it described quite like that.
Curious, how extensive was your time with the terminator? Do you know if it had the new board? Any idea about the source and source settings? What was the associated equipment? Did you have a chance to compare it directly with another dac?
Always eager to hear a counter view and welcome!
Was just doing a comparison of Anne Bisson’s all analog Direct to Disk “Four Seasons in Jazz” record (If you have a good vinyl rig you need to buy this album. Limited run of 3000 and getting close to the end—can buy direct from her website) vs Tidal redbook on my Terminator.
I’m using a Rega RP10 with Aphelion MC cart and LKV phono section. All playing through ML523 pre and 536 monos feeding 802D3s. They compare favorably with an edge to the Termi. Probably the last descriptor I would use would be “bright/less weight”.(I used to use an Oppo 205. That’s exactly how I would describe it, bright/less weight.)
Like most equipment, Terminators do have their critics, but I’ve never seen it described quite like that.
Curious, how extensive was your time with the terminator? Do you know if it had the new board? Any idea about the source and source settings? What was the associated equipment? Did you have a chance to compare it directly with another dac?
Always eager to hear a counter view and welcome!