Too good a post to waste


On a thread that is a running example of the textual equivalent of nonstop cat videos. So here it is again.


I could understand the cables are snake-oil doubters and take them seriously- in 1980. Back then there was no internet, Stereo Review was pretty much it, and Julian Hirsch was the Oracle of all things audio. Stereo Review and Julian Hirsch said if it measures the same it sounds the same. Wire is wire, and that was that. 

Even then though J. Gordon Holt had already started the movement that was to become Stereophile. JGH took the opposing view that our listening experience is what counts. Its nice if you can measure it but if you can’t that’s your problem not ours. 

Stereo Review and the measurers owned the market back then. The market gave us amplifier wars, as manufacturers competed for ever more power with ever lower distortion. For years this went on, until one day "measures great sounds bad" became a thing.

Could be some here besides me lived through and remember this. If you did, and if you were reading JGH back then, I tip my hat to you, sir! I fell prey to Hirsch and his siren song that you can have it all for cheap and don’t really have to learn to listen. Talk about snake-oil! A lot of us bought into it. Sorry to say.

But anyway like I was saying it was easy to believe the lie back then because it was so prevalent and also because what wire there was that sounded better didn’t really sound a whole lot better.

Now though even budget wire sounds so much better than what comes off a reel you’d have to be deaf not to notice. Really good wires sound so good you’d notice even if you ARE deaf! No kidding. My aunt Bessie was deaf as a stone but she could FEEL the sound at a high enough volume, knew it was music. The dynamic punch of my CTS cables is so much greater than ordinary 14 ga wire I would bet my deaf from birth aunt Bessie could "hear" the difference. Certain so-called audiophiles here, I'm not so sure.

Oh and not done beating the dead horse quite yet, according to my calendar its 2020, a solid 40 years past 1980. Stereo Review is dead and buried. Stereophile lives on. A whole multi-billion dollar industry built on wire not being wire thrives. Maybe the measurement people can chalk up and quantify from that just how many years, and billions, they are out of date and in denial. 
128x128millercarbon
David
I just finished watching season 2 of Altered Carbon couple nights ago.
Ready for Poe to resurrect Tak!
Uber, I need to finish season 2. Good goal for a post surgery time killer. : )
Whoops sorry... Spoiler alert... doh.

Good luck with the knee, mine is probably 95% now so no complaints here.
It’s interesting that people feel the need to totally write-off Stereo Review simply because of Julian Hirsch. Did you ever actually READ any of the music section? The magazine also provided long, and involved music articles from authors like: Lester Bangs, Noel Coppage, and Joel Vance. But, since the "audio hobby" for most people involves listening to equipment rather than music, the predilection to fixate solely on Julian Hirsch to grind the very tiny axe they've brought to the discussion is not surprising...
Strangely enough it turns out that no matter what you are listening to, the music or the equipment, you are in the end listening to it through the equipment. Try as we might, there is no such thing as music that just appears in the room without any equipment. (It only seems that way sometimes, and when yours is as good as mine you will know what I mean.) So either way it does in fact matter how the equipment sounds. Not measures. Sounds.

The subject by the way is neither Stereo Review nor Julian Hirsch. The subject is the mistaken and counterproductive belief that something doesn’t exist until we can measure it. In this particular case its cables are snake oil, the argument for which boils down to, "there can’t be any difference, because we can’t measure any difference." But this same fallacy applies to lots of things.

Stereo Review and Julian Hirsch merely happen to be the two most widely recognized exemplars of this flawed philosophy. That’s why they were used. It has nothing to do with any personal animosity. I grew up with Stereo Review. I loved those same music articles. But on this score they let us down, big time.

Like it or not, in order to enjoy music audiophiles require equipment. Until this changes we will all be a whole lot better served by the Stereophile/JGH approach than SR/JH. That is all.