is the sound of vinyl due to the physical process of the turntable?


Same here. I do not own a turntable, however, if the sound of vinyl comes from the physical act of the record on the turntable why can't I transfer digital audio or at least emulate that process to digitally recreate that sound? I remember back in the 1970's you had 45rpm records on the back of cereal boxes and they were not vinyl, however they sounded good why can't I do that myself?
guitarsam
The records on the cereal boxes and most importantly inside MAD Magazines ("She Got a Nose Job" and "It's a Gas" were 2 childhood favorites may find them on YouTube) are thin flexible vinyl (PVC). They are made by Eva-Tone Corp. in Illinois and now also FL.  I was at the factory in the 70's. Had them stamp clear Fresnel lenses (similar to record grooves- we furnished the stamping masters) in continuous rolls then cut into squares on same production line as the records. We used them in our Psychedelic/Disco color organ sound to light boxes, made for folks like Spencer Gifts, Radio Shack, etc.  Stayin' Alive in the good old days.
My Captain Crunch version of the "Little Red Fire Engine" didn't sound to shabby.
If a vinyl record sits on a platter and a cd sits on a small spindle how do you keep the cd from wobbling? If I reverse the process and make a spinning cd size platter and have the laser read the cd from the top by eliminating the wobble could I improve the sound quality? When i play a digital download there is no physical cd player so no wobble and the sound is no better than a cd playing?
Hi,
they are spinning at higher speeds and they are clamped.
Some players even have weight clamps.
+1 for more info being on the disc.
The CD laser has a nano scale beam width and the spiral of physical data on the CD is also nano scale in diameter. In order to keep the laser focused on the data spiral whilst the disc is fluttering there is laser servo feedback system 🔄 and a tiny spring system for the laser that allows the laser to move very easily back and forth as required to stay on the spiral track.

The trouble is there is so much fluttering of the disc and movement caused by external forces (vibration) along with the out-of-round condition of the CD disc the laser servo system can’t keep up with all of the motion. Furthermore, unless you’ve obtained precise level of the CD while spinning the disc will wobble even more. Further exacerbating the situation, very low frequency seismic forces act 🔜 on the tiny spring suspension of the laser, the Fr of which is about 8 Hz, making the laser move unnecessarily. The CD edge beveler from Germany 🇩🇪 was designed to make the CD perfectly round which helped eliminate the flutter problem, but did not go far enough. I stiffen the CD disc and obtain absolute level whilst playing.

The laser light is scattered inside the transport box while the laser reads the data. The entire inside of the transport is lit up like a Christmas tree 🎄 but you would need infrared goggles to see it since it’s invisible light. The scattered laser light gets into the photodetector, which can’t tell the “good light“ from the scattered light. My NEW DARK MATTER scattered light absorber is the only audiophile device specifically designed to prevent invisible AND invisible scattered laser light from entering the photodetector and damaging the sound.