OPUS3 is recorded with a single point Blumlein microphone. they will not have the hyped dynamics of many D2D recordings which may have been multi-miked through a mixer with the microphone right at the instrument. They do convey IMHO the sound of real instruments in a real space often better than most D2D. The notes for the set up discs explain the space in which they were recording, details about the instruments, and what you should hear. I have found them to be very useful tools in evaluating changes in my system. They are now very difficult to find as LPs, but as they were recorded to tape, most of them have been reissued as CDs, and a few SACDs. Again the quality is very good, and I highly recommend them.BTW the microphones and placement by Doc Johnson make the RR recordings, for me often more realistic and enjoyable than all but a few D2Ds, and again, since recorded to tape they are available digitally. The 45 RPM LPs are really good.
The very best sound: Direct to Disc
Since I got a new cartridge (Clear Audio Virtuoso) i’ve rediscovered the Sheffield and RR Direct Disc albums in my collection.
Wow! they put everything else to shame. I picked up about twenty Sheffield D2D’s when Tower Records went out of business for a song (no pun intended.) I’m just now listening to them and find there’s nothing that sonically compares. They’re just more real sounding than anything else. Not spectacular but realistic.
Wow! they put everything else to shame. I picked up about twenty Sheffield D2D’s when Tower Records went out of business for a song (no pun intended.) I’m just now listening to them and find there’s nothing that sonically compares. They’re just more real sounding than anything else. Not spectacular but realistic.
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- 167 posts total
- 167 posts total