chakster,
"Pro-Ject is a joke like many audio components designed in the digital world of plastic toys."
That's a little harsh, don't you think?
I once helped a friend set up his Debut Carbon (Ortofon blue/ acrilyc platter) and it's an excellent deck. With the right record you'd never guess the total price. Just one level below the very best.
Yes, the Debut Carbon won't match the Technics for specs (but nothing else anywhere near the price will either) but it would still make an excellent first turntable for anyone (as would the Fluance, Rega or Audio Technica decks).
Wasn't the 1200G frighteningly close in performance to Michael Fremer's Continuum Caliburn deck?
Unfortunately vinyl replay much like CD replay depends very much upon the source recording. Possibly this explains why some audiophiles may find their music selection decreasing as their system resolving power improves.
Shows are often notorious for featuring a very limited but well recorded musical selection.
Who wants that?
"Pro-Ject is a joke like many audio components designed in the digital world of plastic toys."
That's a little harsh, don't you think?
I once helped a friend set up his Debut Carbon (Ortofon blue/ acrilyc platter) and it's an excellent deck. With the right record you'd never guess the total price. Just one level below the very best.
Yes, the Debut Carbon won't match the Technics for specs (but nothing else anywhere near the price will either) but it would still make an excellent first turntable for anyone (as would the Fluance, Rega or Audio Technica decks).
Wasn't the 1200G frighteningly close in performance to Michael Fremer's Continuum Caliburn deck?
Unfortunately vinyl replay much like CD replay depends very much upon the source recording. Possibly this explains why some audiophiles may find their music selection decreasing as their system resolving power improves.
Shows are often notorious for featuring a very limited but well recorded musical selection.
Who wants that?