Well what you mention is what I meant: maximize the minimum, minimize the numbers, however you want to describe it.
Crosstalk always falls under the discussion of azimuth, hence the title of this thread and it was mentioned, so people are talking about it.
The point is, you can adjust one or the other till you die as the setting will never be 100% perfect, considering you have zero control over the playing surface and how a record was mixed, mastered, cut and pressed, even test records vary.
I have been using TTs for about 40yrs and have had many tables and different carts including some 3x as much as what I have now. Back in the day setting azimuth by eye and using a volt meter never got me the sonic results I get now with the Foz. Once plugged in takes less than 5 min to get all readings.
My soundstage is beyond wall to wall, I have almost no surface noise and wide dynamics and high resolution.
I'm very happy!
Crosstalk always falls under the discussion of azimuth, hence the title of this thread and it was mentioned, so people are talking about it.
The point is, you can adjust one or the other till you die as the setting will never be 100% perfect, considering you have zero control over the playing surface and how a record was mixed, mastered, cut and pressed, even test records vary.
I have been using TTs for about 40yrs and have had many tables and different carts including some 3x as much as what I have now. Back in the day setting azimuth by eye and using a volt meter never got me the sonic results I get now with the Foz. Once plugged in takes less than 5 min to get all readings.
My soundstage is beyond wall to wall, I have almost no surface noise and wide dynamics and high resolution.
I'm very happy!