Who Here is Vertical Bi-Amping?


I recently tried vertical bi-amping and I am very impressed with the results. For the record, I am using “vertical” to refer to using two stereo amplifiers (one amp per speaker) where each amp uses one channel for the midrange/bass driver(s) and the other channel for the tweeter. I am using passive crossovers between the amps and speakers.

My first impression is that there is a noticeable increase in detail and a large reduction in treble harshness at higher listening levels. This makes sense to me because now the tweeter is independent of what the midrange/bass driver is doing. (Technically its “independence” is equal to the channel separation spec of the amplifier.) When the mids call for lots of power which can stress the performance of that channel, the tweeter performance isn’t affected. 

After reading what I could online, I was hesitant to even try vertical bi-amping since I saw lots of mixed reviews on bi-amping in general. I decided I had to try it after reading this post on another forum by Mark Donahue of Sound/mirror Inc. (no affiliation):

“...We have been vertically biamping the speakers here in our mastering studios for 25 years and have yet to find a monoblock that delivers better performance than a pair of stereo amps.
Going back almost 20 years we were looking for a big solid state amp to drive the brand new at the time B&W 801 II. What we found at the time was that the larger monoblock amps from B&W (MPA-810) and Threshold (SA-1000) did not sound nearly as good as the similar stereo amps in a vertical biamp configuration. Every couple of years we would try out the new big monoblock de jour (Krell, Spectral, Cello.....) and every time we found that the stereo sibling of the big monoblock yielded better imaging and lower overall distortion.
Recently we went through the entire routine again. I finally had to retire my five trusty old Threshold S-500 series II due to the need for true balanced inputs. I tried the Classe CAM400 and was underwhelmed with the imaging and clarity. I then replaced them with the (Less Expensive!!) CA-2200 stereo amp and the difference was shocking. Better imaging, better impact and smoother frequency response from my Dunlavy SCV’s.”

I’m very glad I tried it as my system is sounding much better! Does anyone here vertically bi-amp their speakers? If so, what has been your experience and do you find it better/the same/worse than monoblocks, stereo amps, horizontal bi-amping, etc.?
128x128mkgus
Talk about a spaghetti factory... LOL  MC I got to see the cable job on that one... 

Horizontal bi-amping works great equil loads per rail.
Vertical doesn't. 1 channel uses 200 watts one uses 30. Seems wrong?
When you can match a 200 watt amp for the bass, and a 50 watt (of higher quality) for the mids and highs.

Before the wonderful refinement of class D amps, the room could get cooking. I used 4 565 Adcoms and 2 MC240, with a C20....warmed the whole house, for 10 years in the winter 80-90, now half as hot, and 10 times the bass power, 1/4 the wattage....

WHY VERTICAL.  I see no reason.

Regards
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Seems like there are pros and cons to each.

Vertical: Each amp is only asked to drive one bass driver (the majority of the load), very high channel separation similar to monoblocks, easier to integrate than horizontal bi-amping, unbalanced rails an issue?, etc.

Horizontal: Can use 2 separate amps that are optimized for low and high frequencies, lower channel separation than vertical biamping or monoblocks, challenging to integrate?, etc.

Bi amping is similar to bi wiring. You are simply running the power of the amps through the exact same internal crossover network of the speaker. This serves little to no benefit.

The benefit I see with vertical is that the mids and tweeters have their own channels of amplification and in a well-built amp, one shouldn’t effect the other. Asking a single channel in an amplifier to deliver massive wattage for the mids while still being delicate enough to reproduce good highs seems like a tall order. With vertical, even if they share the same power supply/transformer, there should be some benefit as the channels are isolated from each other. That’s my thoughts on the subject and my listening impressions line up with that.
Matrix: Can use zillion amps one per driver per frequency in a 4D matrix.

Unless you take the red pill in which case you wake up and say, "Tube integrated!"
Horizontal: how easy is it to truly gain-match two different amps?  How much does it limit your choice of components?