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Who Here is Vertical Bi-Amping?

I recently tried vertical bi-amping and I am very impressed with the results. For the record, I am using “vertical” to refer to using two stereo amplifiers (one amp per speaker) where each amp uses one channel for the midrange/bass driver(s) and the other channel for the tweeter. I am using passive crossovers between the amps and speakers.

My first impression is that there is a noticeable increase in detail and a large reduction in treble harshness at higher listening levels. This makes sense to me because now the tweeter is independent of what the midrange/bass driver is doing. (Technically its “independence” is equal to the channel separation spec of the amplifier.) When the mids call for lots of power which can stress the performance of that channel, the tweeter performance isn’t affected. 

After reading what I could online, I was hesitant to even try vertical bi-amping since I saw lots of mixed reviews on bi-amping in general. I decided I had to try it after reading this post on another forum by Mark Donahue of Sound/mirror Inc. (no affiliation):

“...We have been vertically biamping the speakers here in our mastering studios for 25 years and have yet to find a monoblock that delivers better performance than a pair of stereo amps.
Going back almost 20 years we were looking for a big solid state amp to drive the brand new at the time B&W 801 II. What we found at the time was that the larger monoblock amps from B&W (MPA-810) and Threshold (SA-1000) did not sound nearly as good as the similar stereo amps in a vertical biamp configuration. Every couple of years we would try out the new big monoblock de jour (Krell, Spectral, Cello.....) and every time we found that the stereo sibling of the big monoblock yielded better imaging and lower overall distortion.
Recently we went through the entire routine again. I finally had to retire my five trusty old Threshold S-500 series II due to the need for true balanced inputs. I tried the Classe CAM400 and was underwhelmed with the imaging and clarity. I then replaced them with the (Less Expensive!!) CA-2200 stereo amp and the difference was shocking. Better imaging, better impact and smoother frequency response from my Dunlavy SCV’s.”

I’m very glad I tried it as my system is sounding much better! Does anyone here vertically bi-amp their speakers? If so, what has been your experience and do you find it better/the same/worse than monoblocks, stereo amps, horizontal bi-amping, etc.?
128x128mkgus
barts's avatar
barts
722 posts
 
mkgus - I have been horizontal tri-amping for years using 4 ARC amps.
Two stereo amps running in mono, one for each woofer, a stereo amp for the mids and stereo amp for the highs.  I took out the cross-overs from the speakers and use an active cross-over after the pre-amp and before the amps.   https://www.marchandelec.com/xm44-electronic-crossover.html

It is quite eye-opening when you see the power disparity (meters on amps) between the lows,mids,highs.  

Seems like you're happy with your new configuration, but as almarg said
you would see a big leap in performance if you bypass/remove the internal speaker x-over and went direct to the drivers. Given this may take some thought on crossing over the mids to the highs. But then you can run in a horizontal bi-amp configuration which as you mention takes the load off the power supply of the mid/high amp. 
mkgus's avatar
mkgus OP
324 posts
 
Thank you everyone for sharing your systems and experiences with bi-amping. Some of these systems that use active crossovers seem high tech. Very impressive. Thank you boomer for offering to let me hear your system!

One question I have for those who use electronic crossovers, is it a requirement to convert the signal to digital to do the processing? If yes, does that affect sound quality at all? I’m thinking that doing an extra conversion step to digital and back to analog could be detrimental, but maybe that’s not how you do it or maybe it’s not that detrimental. The DSP I use for my subwoofers, for example, allows for it to be hooked up to a computer for streaming so it could be the source with no extra analog/digital conversion step. 
mkgus's avatar
mkgus OP
324 posts
 
Also, I’m beginning to see why my previous internet searches didn’t bring up as much information as I was looking for. Doing vertical bi-amping with active crossovers is not for the faint of heart and requires lots of knowledge and experience. As such, there probably aren’t that many people doing it, relatively speaking.
douglas_schroeder
3,281 posts
 
Don't get too hung up on all this. Any given method (stereo amp, bi-amp, passive x-over, active x-over) in one system can better any given method in another. 

Which is better? 
Stereo amp
Passive bi-amp (vertical or horizontal)
Monos with bi-wiring
Active x-over

Answer: Yes, or Depends on the variables 

What's really fun is when you think the one system sounds soooooo good, then change it up and find that a different amp sounds better in a different configuration! Lot's of fun realizing that there is no consistency to the superiority of particular methods. 

Even better, the fun that results when you change something like a DAC, and then the amp that was worse sounds better than the one that sounded better with the previous DAC! It's exciting when you can't easily peg an amp as "better" simply by building one or two systems.  

Change speakers; start over again.   :) 

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cleeds
5,975 posts
 
mkgus OP
... for those who use electronic crossovers, is it a requirement to convert the signal to digital to do the processing?
No.
... vertical bi-amping with active crossovers is not for the faint of heart and requires lots of knowledge and experience ...
Not necessarily.
If you're using an active crossover, I can't imagine why you'd want to do vertical biamping, other than perhaps for convenience in physically locating the amplifiers.
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