The onus is on you bro
https://www.soundonsound.com/techniques/how-make-your-vocals-twice-good-part-1
https://www.soundonsound.com/techniques/how-make-your-vocals-twice-good-part-1
Jazz vocalists which may not be as real as we think/imagine
The onus is on you bro https://www.soundonsound.com/techniques/how-make-your-vocals-twice-good-part-1 |
It was all about how polished, ~~marketable~~ can we make over her voice = more notable, = more pop-ularity = more shows/contracts = $$$$. Thus Diana was ~~commercialized...Diana realizes this now. Which is why I only listen to certain 20TH C composers and a very few 19th C composers. Rock/jazz not at all interested. |
Another rambling all over the map OP. Brother. Enough to make one think You have no idea what you are talking about. Exactly. So I'm not the only one. Look, every vocal is manipulated to some degree or other. Singing 101: to sound warmer hold the mic closer. To sing higher more clearly hold it farther away. Use the mic that flatters your voice. Etc. Etc. This is just microphones we're talking here. First link in the chain. Any reason to think anything different as we move on down the line? No. Course not. I really can not use her cds in my testing of new tweeks, modsThen the problem is yours. Because whatever changes you make, it changes everything, therefore you should be able to hear it with everything. If you can't that's on you. Not the recording. Certainly not on the singer. Onhwy61 was right: You have no idea what you are talking about. |