A parallel thread is running here:
http://forum.audiogon.com/cgi-bin/fr.pl?cspkr&1303719698
I think the thing you have to consider with the Harbeth's is that they are quite forgiving of room size, ancillary equipment and placement. HOWEVER, they are remarkable speakers that can really sing if you get them out into the room and away from the boundaries. This becomes more important as you move from their smaller to their larger models. If you read my initial post carefully I did not say the HL5's would not sound good in your room. Rather my point is that given the cost differential and the size of your listening room it is my opinion that you would be better served by keeping the C7's and investing the difference that you would have spent on the HL5's into other equipment upgrades. I don't claim to be an expert about a lot of things audio but I do know the Harbeth's pretty well and just wanted to clarify my prior submission.
http://forum.audiogon.com/cgi-bin/fr.pl?cspkr&1303719698
I think the thing you have to consider with the Harbeth's is that they are quite forgiving of room size, ancillary equipment and placement. HOWEVER, they are remarkable speakers that can really sing if you get them out into the room and away from the boundaries. This becomes more important as you move from their smaller to their larger models. If you read my initial post carefully I did not say the HL5's would not sound good in your room. Rather my point is that given the cost differential and the size of your listening room it is my opinion that you would be better served by keeping the C7's and investing the difference that you would have spent on the HL5's into other equipment upgrades. I don't claim to be an expert about a lot of things audio but I do know the Harbeth's pretty well and just wanted to clarify my prior submission.