daveyf,
'So, and i have said this many times before, if one is looking for a 'plug and play' type of turntable, then the Linn LP12 probably is not for you. The Technics definitely would be far better as a 'plug and play' solution.'
I agree. Absolutely. The Technics is a far better plug and play turntable. It is also more likely to be the choice of any professional vinyl archivist.
Even worse, despite the many speed accuracy upgrades since the original cheap noisy A/C motor unit (which Linn used to once boast about whilst denigrating DC motors) there have been numerous upgrades, including the current top of the range DC motor!
Yet despite them all, the Valhalla, the Lingo, Lingo 2, Radikal etc, I bet that even the Technics SL1200GR still has the better speed accuracy specs, or any other for that matter
I wouldn't even be too surprised if Linn oneday eventually did a complete 180 and introduced a direct drive version themselves.
Of course the LP12 does have a certain charm, in the same way a vintage Thorens or a Garrard deck might also have. It is now a part of audio history, despite its murky origins and the notorious legal action which dogged it's early years.
Buying a Linn might be likened to buying a vintage Ferrari. There are many reasons for buying one, but performance for $ is not one of them. No, it should be a matter of passion, and possibly one of dream fulfilment. For better or worse, it is one of the most obsessively compelling audio products ever built.
However, questions still remain as to what the best arm for the Linn is as I remember the Ekos1 getting trounced by Naim's Aro, which is no longer available.
Then there's the question of just how much better is a top spec 2020 LP12 v a top spec 1980s LP12. I have heard that some have argued that successive upgrades have somewhat diminished its fabled analogue warmth. I don't know, and it's difficult to find out as Linn seem to have given up on promoting the LP12 at shows.
The last Linn product I heard, and that was some 6/7 years ago, were some large ugly overpriced floorstanders.
It would also have been nice if Linn had admitted the LP12s heritage and had paid some tribute to its predecessors.
Linn didn't do that. They instead engaged in some very dodgy marketing and business practices and have been consequently enjoying milking the same sacred cow for decades.
The post Ivor, low key Linn, were almost on the verge of killing it off at one point. I bet they're now glad that they didn't.
Anyone interested should certainly consider buying into the cult of the LP12 - but only if they absolutely must.
And if you do, please make sure it has the reinforced top plate.
'So, and i have said this many times before, if one is looking for a 'plug and play' type of turntable, then the Linn LP12 probably is not for you. The Technics definitely would be far better as a 'plug and play' solution.'
I agree. Absolutely. The Technics is a far better plug and play turntable. It is also more likely to be the choice of any professional vinyl archivist.
Even worse, despite the many speed accuracy upgrades since the original cheap noisy A/C motor unit (which Linn used to once boast about whilst denigrating DC motors) there have been numerous upgrades, including the current top of the range DC motor!
Yet despite them all, the Valhalla, the Lingo, Lingo 2, Radikal etc, I bet that even the Technics SL1200GR still has the better speed accuracy specs, or any other for that matter
I wouldn't even be too surprised if Linn oneday eventually did a complete 180 and introduced a direct drive version themselves.
Of course the LP12 does have a certain charm, in the same way a vintage Thorens or a Garrard deck might also have. It is now a part of audio history, despite its murky origins and the notorious legal action which dogged it's early years.
Buying a Linn might be likened to buying a vintage Ferrari. There are many reasons for buying one, but performance for $ is not one of them. No, it should be a matter of passion, and possibly one of dream fulfilment. For better or worse, it is one of the most obsessively compelling audio products ever built.
However, questions still remain as to what the best arm for the Linn is as I remember the Ekos1 getting trounced by Naim's Aro, which is no longer available.
Then there's the question of just how much better is a top spec 2020 LP12 v a top spec 1980s LP12. I have heard that some have argued that successive upgrades have somewhat diminished its fabled analogue warmth. I don't know, and it's difficult to find out as Linn seem to have given up on promoting the LP12 at shows.
The last Linn product I heard, and that was some 6/7 years ago, were some large ugly overpriced floorstanders.
It would also have been nice if Linn had admitted the LP12s heritage and had paid some tribute to its predecessors.
Linn didn't do that. They instead engaged in some very dodgy marketing and business practices and have been consequently enjoying milking the same sacred cow for decades.
The post Ivor, low key Linn, were almost on the verge of killing it off at one point. I bet they're now glad that they didn't.
Anyone interested should certainly consider buying into the cult of the LP12 - but only if they absolutely must.
And if you do, please make sure it has the reinforced top plate.