something is not right here and it's on purpose!!!

Sam here and i have said this before all commercial music both digital and vinyl as good as it can sound does not resonate with the listener? You might think it does however if you attend a live concert you are aware that your hearing live music and if you listen to a digital or vinyl copy of the same concert you are aware that your hearing a recording as opposed to the actual live performance. When you listen to a studio recording your hearing real musicians playing real instruments directly to tape live, and when all the different parts are mixed together it should sound like your in the studio with the band hearing a live concert. So why is that not the case? l'll tell you why the music is not on the same wavelength as we are so all the music sounds out of tune and must be retuned in order to resonate and sound like the listener is in the middle of a live performanance and that's what my earth frequency encoding does and the audio samples i keep supplying should make that perfectly clear hearing is believing friends.

The mixer chooses the volume.  Apparently, he used equipment that was inferior to the original recording electronics.  No, you cannot remove crappy bits and bytes.

Sam, my very bigly brain tells me that the earth frequency is consistently present, wether we like it or not and on a very minute level, affects everything we hear. Even if the earth frequency was not captured in the recording process, it is present, embedding itself into the music as we listen. Even if there is some merit to your claim of adding it back into a recording, it would be redundant. Just sayn..........Jim

My only question at this point is how do I adjust MY frequencies?

I mean is it a belly rub with one hand, and a pat on the head with the other to tune it in?

OR a nipple twist, and a left cheek sneek! A nose rub and a head scratch?

I mean is there a tune up manual for proper tuning.

I've done the ol palm slap to the forehead, and stuff became a lot clearer, normally followed by the words, Geez, maneez, listen to that!

I'm new to the whole earth vib thing.  I'm not stressin' though, I'm a slow learner, you know old dog, new trick thing... This ol dog might just stay under the porch for this one though... I think a good lower extremity cleaning is in order. :-)

Regards

I would say that 90% of the preceding comments are off base. I worked  in Nashville and NYC recording studios for seven years. No qualified engineer or producer intentionally or neglectfully makes distorted or poor recordings, unless it's for the art form such as mid-fi, low-fi production etc. Producers and engineers are only a portion of the process, when it comes to the actual final stages of "manufacturing and quality" they are 99% of the time not involved. By the way, record companies for the most part, do not care about the quality of a recording only that the product sells. 
  If you spend some time investigating the manufacturing process you will find that a lot of things can go wrong once the cd plant (or record pressing plant) gets the mastered music. For example, JVC proves my point with their XRCD products. JVC went to great lengths to insure that the manufacturing process was inspected for quality through many stages. Here is a link to a brief overview of the process, https://www.theabsolutesound.com/articles/jvcs-extended-resolution-compact-disc-xrcd-tas-203-2/
  I personally prefer vinyl to digital however there are some very good sounding CDs. I find that vinyl is more "emotionally involving" than digital playback. The one thing that CDs do better than vinyl is nothing and by that I mean silence. I love quiet vinyl but it's more rare than a quiet CD!
  To  my knowledge there is no "measurement for the emotional qualities elicited by  playback formats. I enjoy vinyl done correctly.
  The insistence from many audiophiles that digital just can't sound good or is inferior to analog at the professional studio level is nonsense. I can absolutely guarantee you that well recorded analog music sounds different but not better than well recorded digital music.
  Ultimately, I prefer well done vinyl pressings of albums over digital (not including some Hi-Res formats such as  DSD etc.) A poorly engineered, mastered or finalized version of music cannot be corrected by the playback format.  What makes a truly great recording is NOT the equipment but the engineer.
A Sony 3324 digital tape machine sounds absolutely wonderful and it should when they originally sold for a few hundred thousand dollars. 
The newer digital studio formats sound great, but you cannot compare CD's with pro digital formats. I do love some of the older recordings from the 50s, 60s, 70s and 80's that are analog. But I also love some of the digital recordings of the last few decades. The devil is in the details.